Murphy’s bold approach challenges the audience to reconsider the narrative. By highlighting the brothers’ claims of abuse and questioning the fairness of their second trial, he sparks thought-provoking discussions. He doesn’t just tell a story; he invites us into a dialogue about justice, media influence, and the complexity of human behaviour. It’s not merely a retelling of a crime but a deep dive into the layers that make the case both shocking and thought-provoking.

Monsters: The Lyle and Erik Menendez Story is the second season of the riveting biographical crime drama anthology series Monster, masterfully created by Ryan Murphy and Ian Brennan for Netflix. This season delves into the notorious case of Lyle and Erik Menendez, whose 1996 conviction for the brutal 1989 murders of their parents, José and Kitty Menendez, shocked the nation.

The series meticulously unpacks the complex narrative, exploring not only the heinous crime but also the intricate family dynamics, psychological trauma, and the sensational media coverage that surrounded the trial. Through its compelling storytelling, it aims to provide viewers with a nuanced understanding of the Menendez brothers’ motivations and the subsequent legal battles that captivated the public.

Murphy and Brennan’s keen eye for detail and their ability to humanize even the most controversial figures make this series a profound exploration of crime, punishment, and the often blurred lines between victim and perpetrator.

Ryan Murphy was inspired to create Monsters: The Lyle and Erik Menendez Story to spark conversations about abuse and the criminal justice system. He wanted to bring the Menendez brothers’ case back into the spotlight and encourage discussions about whether their second trial was fair. Murphy believed that revisiting the case could help people talk about the impact of abuse and the complexities of the legal system.

He also aimed to present the story from multiple perspectives, giving a voice to the brothers, their parents, and others involved in the case. By doing so, he hoped to create a more nuanced understanding of the events and the people involved.

Murphy and his team conducted thorough research on the Menendez case, including court transcripts, interviews, news articles, and documentaries to ensure they had a comprehensive understanding of the events and the people involved.

While they relied heavily on factual information, they also used creative storytelling techniques to fill in the gaps and enhance the narrative. This included imagining conversations and emotional moments that may not have been documented, but were plausible within the context of the story.

In creating the fictional reality for the series, Murphy and his team often needed to fill in gaps where specific details were unavailable. This is where creative storytelling came into play.

They crafted dialogues and interactions that might not have been recorded or reported, but were plausible given the context and known behavior of the characters. These imagined conversations helped to add depth and realism to the narrative. When certain historical details were missing or unclear, Murphy’s team used plausible scenarios to bridge these gaps. This helped to maintain a continuous and engaging storyline while staying true to the essence of the real events.

The series included emotional moments that portrayed the inner struggles and psychological turmoil of the characters. While these moments might not have been explicitly documented, they were rooted in the characters’ experiences and the overall narrative arc. Understanding the motivations behind the actions of Lyle and Erik Menendez, as well as their parents, was crucial. The creators used creative storytelling to explore these motivations, providing viewers with a deeper insight into the characters’ minds and emotions.

They also employed visual and symbolic elements to convey the emotional and psychological states of the characters. This included using specific lighting, colors, and set designs to reflect the mood and themes of different scenes.

While the series aimed to be as accurate as possible, it also embraced the flexibility of fiction to create a compelling and cohesive narrative. This balance between fact and fiction allowed the creators to tell a more complete and engaging story.

By using these creative techniques, Ryan Murphy and his team were able to enhance the narrative and provide a deeper, more immersive experience for viewers. This approach not only made the series more engaging but also allowed it to explore the complex emotions and motivations of the characters involved in the Menendez case.

The team delved into the psychological and emotional aspects of these individuals, exploring their motivations, fears, and relationships. This helped to humanize the characters and provide a deeper understanding of their actions.

The series explored the brothers’ motivations, particularly their claims of enduring years of abuse. By delving into their fears and experiences, the creators aimed to provide a deeper understanding of why they might have committed such a heinous crime. The complex relationship between the brothers was a focal point. Their bond, forged through shared trauma, and their loyalty to each other were portrayed in a way that highlighted their dependence and shared secrets.

José Menendez was depicted as a successful but domineering figure. His ambitions and the pressure he placed on his family were explored to understand the dynamics within the household. The series tackled the allegations of abuse head-on, presenting different viewpoints and leaving it to the audience to ponder the truth. This added complexity to his character, making him more than just a one-dimensional antagonist.

The portrayal of Kitty Menendez focused on her emotional and psychological struggles. Her alleged complicity in the abuse, as well as her own challenges with mental health, were key elements that added depth to her character. The series highlighted Kitty’s complicated relationships with Lyle and Erik, showing moments of both affection and conflict.

By presenting these characters with their vulnerabilities, flaws, and emotional struggles, the series aimed to humanize them. This approach allowed viewers to see them as real people with complex motivations, rather than just the perpetrators or victims of a crime.

The series delved into the intricate family dynamics, showcasing the tensions, expectations, and unspoken rules that governed the Menendez household. This helped to paint a fuller picture of the environment in which Lyle and Erik grew up.

By focusing on these psychological and emotional aspects, the series provided a more nuanced and empathetic portrayal of the Menendez family, encouraging viewers to consider the complexities behind their actions. It’s a powerful reminder of the multifaceted nature of human behavior and the impact of family dynamics.

The lead actors played a crucial role in bringing depth and authenticity to the characters. Their performances were instrumental in conveying the complex emotions and psychological struggles of the Menendez family.

Cooper Koch portrayal of Lyle Menendez captured the intense emotions and psychological trauma of the character. His performance included moments of rage, fear, and vulnerability, providing a deep insight into Lyle’s state of mind. Koch’s chemistry with Nicholas Alexander Chavez, who played Erik Menendez, was pivotal in depicting the strong bond between the brothers.

“The script became the backbone of my prep because it was the backstory that I didn’t have to write for myself, for the character,” says Koch. “I read it daily, making thoughtful, inquisitive notes along the way. Even with all of the preparation, I was nervous about filming the episode but also very excited to be able to just exist as him for that long and to finally say these words that I had been reading and working on and making my own for such a long time. It was a beautiful experience — but also terrifying and exhilarating.”

Nicholas Alexander Chavez as Erik Menendez brought a sense of vulnerability and sensitivity to the role of Erik Menendez. His performance highlighted the emotional and psychological impact of the alleged abuse on Erik. Chavez effectively conveyed Erik’s internal struggle and conflicting emotions, making the character relatable and empathetic.

“When you’re playing a character like this, you want to remove as much judgment as you can and empathize as much as you can,” says Chavez. “That’s what I tried to do first and foremost… I wanted to come from as educated a perspective as I could, so I familiarized myself with plenty of primary and secondary sources as far as research material. I went through the Court TV footage quite a bit.

The script also helped Chavez to prepare for the role: “Ultimately, I understand that some of the behavior that he has in this show is difficult for people to digest, but my performance sits at the nexus of so many things. It sits at the nexus of the research I have done, the scripts I was given, the direction that I was given and the strong interpretation and point of view that I formed of this person who is, in my view, one of the most enigmatic human beings to have lived in the last 100 years.”

The actors worked closely with Ryan Murphy and the creative team to understand their characters’ motivations and backstories. This collaboration allowed them to deliver performances that were both authentic and deeply moving. They were encouraged to explore and delve into the psychological aspects of their characters, which helped in portraying them with authenticity and depth.

The actors underwent physical transformations to accurately represent their characters. This included changes in appearance, mannerisms, and speech patterns. They focused on delivering emotionally authentic performances that resonated with the viewers, making the characters’ experiences and struggles palpable. Through their dedication and nuanced performances, the lead actors brought the Menendez family to life on screen, contributing significantly to the series’ impact and success. Their portrayals allowed viewers to connect with the characters on a deeper level and understand the complexities of their actions and relationships.

This approach allowed for a more nuanced portrayal of the case and highlighted the complexities of the situation. Presenting the story from multiple viewpoints was a brilliant way to capture the complexities of the Menendez case.

By focusing on the Brothers’ Perspective, the series delved into their claims of abuse and their emotional and psychological states. This provided insight into their motivations and actions. The portrayal of the brothers’ bond and shared trauma highlighted their intense emotional connection and the impact of their upbringing on their mental health.

Exploring the parents’ perspective, their lives, personalities, and relationships with their sons, added depth to the narrative. It helped viewers understand the family dynamics and the environment in which the brothers grew up. By presenting different viewpoints on the abuse allegations, the series encouraged viewers to consider the complexity of the situation and the potential impact on the brothers.

The Legal Teams’ Perspective showcased the strategies and arguments of both the defense and prosecution provided a comprehensive view of the legal battle. This highlighted the intricacies of the trial and the different interpretations of the evidence. The series explored the ethical dilemmas faced by the legal teams, such as the challenges of defending clients accused of a heinous crime and the pursuit of justice.

By including the media’s role in the case, the series highlighted how the intense media coverage influenced public perception and added pressure to the legal proceedings. The portrayal of the media’s sensationalism and focus on salacious details underscored the impact of media scrutiny on the individuals involved and the broader narrative.

The inclusion of friends, acquaintances, and other characters provided further context and added layers to the story. Their insights and experiences helped paint a fuller picture of the Menendez family and the case. By weaving these perspectives together, the series created a rich and multi-dimensional narrative that allowed viewers to see the case from different angles. This approach not only made the story more engaging but also encouraged critical thinking about the complexities of the situation and the factors that influenced the outcome.

The idea that Lyle and Erik Menendez might have been lovers stems from speculation and rumors that emerged during their trials. Some observers suggested that their close bond and shared trauma could have led to an incestuous relationship.

Various media portrayals, including documentaries and TV shows, have explored this theory to add drama and intrigue to the story. However, it’s important to note that these portrayals often take creative liberties and may not be entirely accurate. The defense team focused on the brothers’ claims of enduring years of abuse by their parents. The exploration of their sexuality was not a central part of the defense strategy, but it added another layer of complexity to the case.

The speculation about the brothers’ relationship contributed to the sensationalism surrounding the case. It influenced public perception and added to the media frenzy.The exploration of this theory raises ethical concerns about privacy and the potential for sensationalism. It’s important to approach such topics with sensitivity and respect for the individuals involved.

There is no concrete evidence to support the notion that Lyle and Erik were lovers. The theory remains speculative and should be viewed with caution.

While the exploration of the brothers’ sexuality adds a layer of intrigue to the Menendez case, it’s essential to remember that it is based on speculation and not proven facts. The focus should remain on the broader issues of abuse, family dynamics, and the criminal justice system.

The series aimed to capture the emotional depth and psychological struggles of the characters. Murphy worked closely with the actors to ensure their performances were authentic and resonated with viewers. This involved exploring the inner turmoil and conflicts faced by the characters, making their experiences relatable and compelling.

To capture the emotional depth and psychological struggles of the characters, Ryan Murphy and his team took a detailed and immersive approach. The actors immersed themselves in the characters’ backgrounds, motivations, and psychological states. They studied the real-life figures they were portraying, as well as the broader context of the case, to deliver authentic performances.

Murphy emphasized the importance of emotional authenticity. The actors were encouraged to tap into the raw emotions and inner turmoil of their characters. This involved exploring feelings of fear, anger, sadness, and desperation, making the characters’ experiences relatable and compelling.

Murphy employed various visual and cinematic techniques to create an immersive experience for viewers. This included carefully designed sets that accurately reflected the time period, as well as thoughtful cinematography that captured the emotional tone of the series. The use of lighting, camera angles, and color palettes helped to convey the mood and atmosphere of different scenes.

The use of different camera angles and movements helped convey the emotional tone of the scenes. Close-up shots captured the characters’ expressions and emotions, while wider shots provided context and setting. In some intense or emotional scenes, handheld cameras were used to create a sense of immediacy and rawness, making viewers feel as though they were part of the action.

The lighting was carefully designed to reflect the mood and atmosphere of each scene. Dim, shadowy lighting was used to create a sense of tension and unease, while brighter lighting highlighted moments of revelation or clarity. Contrasts between light and dark were used symbolically to represent themes such as innocence versus guilt, truth versus deception, and hope versus despair.

The sets were meticulously designed to accurately reflect the time period and settings of the real events. This included recreating the Menendez family home, courtrooms, and other significant locations. Props and set decorations were chosen to enhance the authenticity and immerse viewers in the story’s environment.

The color palette was carefully selected to enhance the thematic elements of the story. Muted and somber colors were often used to reflect the dark and tragic nature of the events, while occasional bursts of color highlighted moments of significance or contrast.

The editing helped control the pacing of the narrative, building tension and maintaining engagement. Quick cuts were used during intense moments, while slower, lingering shots allowed for emotional reflection.

Flashbacks and montages were used to provide backstory, contextualize events, and convey the passage of time. These techniques added depth to the storytelling and helped viewers understand the characters’ motivations.

Visual metaphors and symbolic imagery were used to convey deeper themes and messages. For example, certain objects or settings might represent the characters’ emotional states or the overarching themes of the story.

By employing these visual and cinematic techniques, Ryan Murphy and his team were able to create a rich and immersive experience that drew viewers into the complex world of the Menendez case. These elements combined to make the series both visually captivating and emotionally resonant.


Ryan Murphy is a prolific figure in the television industry, celebrated for creating groundbreaking and widely popular series. His impressive portfolio includes hits like:

  • Glee, a musical comedy-drama that redefined the genre with its unique blend of humor, heart, and catchy musical numbers.
  • American Horror Story, an anthology horror series that gained a cult following for its chilling storytelling and versatile cast.
  • The Watcher, a mystery-thriller that showcases Murphy’s knack for suspense and gripping narratives.

Murphy’s ability to tackle a wide range of genres, from musical to horror to thriller, has made him a standout creator in the world of TV.

Ian Brennan is a key collaborator with Murphy, having co-created Glee with him. Brennan’s contributions were instrumental in shaping the show’s distinct tone and success. In addition to “Glee,” Brennan has worked on other projects, often in collaboration with Murphy, bringing his unique voice and creativity to the table. Together, Murphy and Brennan have proven to be a dynamic duo, consistently delivering compelling and innovative content that captivates audiences.


AI has become an indispensable companion for writers, offering invaluable assistance in brainstorming ideas for screenplays, fiction, and non-fiction. Whether you’re in search of a surprising plot twist, an engaging character arc, or a fresh perspective on a topic, AI can provide endless suggestions to fuel your creativity. With AI by your side, the possibilities for storytelling are truly limitless.

By leveraging AI, fiction writers and screenwriters can unlock new levels of creativity and productivity, making storytelling more enjoyable and effective. It’s like having a versatile and insightful writing partner by your side, ready to elevate your work to new heights.

Overcoming fear and resistance towards embracing an AI companion is key for writers to unlock their full creative potential. Many writers may initially feel apprehensive about incorporating AI into their creative process, fearing that it might stifle their originality or take away from their unique voice. However, once writers push past these fears and open themselves up to the possibilities that AI offers, they can reap substantial benefits.

AI Conversations: Unlocking the Future of Communication

AI: Your Tireless Brainstorming Partner for Endless Inspiration

Imagine having a brainstorming partner who never gets tired, never runs out of ideas, and can access an endless reservoir of knowledge and creativity. Whether you’re working on a captivating novel, crafting a thought-provoking article, or drafting an engaging screenplay, AI stands ready as your ultimate source of inspiration. With AI, every writer gains a tireless companion that offers fresh perspectives, boundless innovative ideas, and the creative boost essential for bringing writing projects to life.

Research Assistance

  • Speed and Efficiency: AI can process large volumes of data in seconds, extracting the most relevant information. This allows writers to focus on analysis and storytelling rather than sifting through endless documents.
  • Accurate Fact-Checking: AI can cross-reference information across multiple sources, ensuring the accuracy of facts and figures. This is crucial for maintaining credibility and trustworthiness in journalistic and academic writing.
  • Data Analysis: AI can identify patterns, trends, and insights from complex datasets. For example, a journalist investigating a social issue can leverage AI to analyze public records, social media data, and other sources to uncover hidden stories.
  • Content Summarization: AI can condense lengthy reports, articles, and papers into concise summaries, making it easier for writers to grasp the key points and incorporate them into their work.
  • Resource Discovery: AI can recommend additional sources and materials based on the topic at hand. This can introduce writers to new perspectives and enhance the depth of their research.
  • Real-Time Updates: For topics that are constantly evolving, such as breaking news or scientific research, AI can provide real-time updates, ensuring that writers have access to the latest information.
  • Language Translation: AI can translate documents from multiple languages, making global research more accessible. This is particularly useful for writers who need to access international sources.

By leveraging AI, writers can streamline their research process, uncover valuable insights, and produce well-informed, compelling content in a fraction of the time. It’s like having a team of diligent researchers at your disposal, ready to assist with every aspect of your work.

AI can elevate you craft

  • Grammar and Spelling Checks: AI can catch errors in grammar and spelling that might slip through a human’s review. This ensures your writing is polished and professional.
  • Style Suggestions: AI can analyze your writing style and suggest adjustments to improve clarity, coherence, and overall readability. It can recommend changes in sentence structure, word choice, and phrasing to make your writing more engaging.
  • Tone Adjustments: Depending on the audience and purpose, AI can help you adjust the tone of your writing. Whether you need a formal, academic tone or a casual, conversational one, AI can provide guidance to ensure your message is appropriately conveyed.
  • Consistency: AI can help maintain consistency in your writing, from character voices in a novel to the tone and style in a series of articles. This is particularly useful for long-form projects.
  • Readability Enhancements: AI can evaluate the readability of your text and suggest ways to make it more accessible to a broader audience. This includes simplifying complex sentences, breaking up long paragraphs, and highlighting jargon that might need clarification.
  • Pacing and Flow: AI can help you maintain a smooth narrative flow by identifying sections that may be too slow or too rushed. This can enhance the overall pacing of your story or argument.
  • Feedback and Revision: AI can provide constructive feedback on your drafts, offering insights on how to strengthen your arguments, enhance descriptions, and improve dialogue. It acts like a virtual editor, helping you refine your work before it reaches human eyes.

These AI tools act as a virtual writing coach, helping you hone your craft and produce high-quality work with greater ease. They take care of the nitty-gritty details, allowing you to focus on your creativity and the essence of your message.

Translation and Localization

For screenwriters and novelists working in multiple languages, AI translation tools can help ensure accuracy and cultural relevance, making it easier to reach a global audience. AI translation tools are revolutionizing the way screenwriters and novelists work across languages, enhancing both accuracy and cultural relevance. Here’s how they make a significant impact:

  • Accurate Translations: AI translation tools use advanced algorithms to provide precise translations, capturing the nuances of different languages. This ensures that the original meaning and tone of the content are preserved, which is crucial for maintaining the integrity of the story.
  • Cultural Relevance: Beyond literal translation, AI can help adapt content to different cultural contexts. This involves understanding idiomatic expressions, local customs, and cultural sensitivities, ensuring that the material resonates with diverse audiences without causing misunderstandings or offense.
  • Consistency: For long-form projects like novels and screenplays, consistency in translation is vital. AI tools can maintain uniformity in terms of terminology, character names, and recurring themes, providing a seamless experience for readers and viewers.
  • Efficiency: AI can significantly speed up the translation process, allowing writers to focus more on creative aspects rather than spending excessive time on manual translation. This is particularly beneficial when working with tight deadlines.
  • Multilingual Collaboration: AI translation tools facilitate collaboration among writers, editors, and publishers from different linguistic backgrounds. This can lead to richer and more diverse creative inputs, enhancing the overall quality of the work.
  • Global Reach: By providing high-quality translations, AI enables writers to reach a broader, global audience. This not only increases the potential readership but also allows stories to transcend linguistic barriers and connect with people from various cultures and regions.

AI translation tools are empowering writers to create content that is not only linguistically accurate but also culturally resonant, making it easier to share their stories with the world.

Collaboration

AI can facilitate collaboration among writers by providing real-time feedback and suggestions, making it easier to co-write and edit their screenplays or novels, bringing efficiency and creativity to co-writing and editing processes. Here’s how AI can enhance collaboration among writers:

  • Real-Time Feedback: AI can provide instant feedback on grammar, style, tone, and structure. This ensures that writers can quickly address any issues and keep the writing process smooth and uninterrupted.
  • Suggestion Tools: AI can offer suggestions for improvements, such as alternative phrasing, vocabulary enhancements, and better ways to articulate ideas. This helps co-writers refine their work and achieve a more polished final product.
  • Track Changes and Comments: AI tools can track changes and add comments, making it easy for writers to see revisions and suggestions from their co-authors. This streamlines the editing process and ensures that all feedback is organized and easy to follow.
  • Version Control: AI can manage different versions of a document, ensuring that all changes are saved and easily accessible. This prevents any loss of work and allows writers to revert to previous versions if needed.
  • Conflict Resolution: AI can help resolve conflicts in writing styles or ideas by suggesting compromises and highlighting the strengths of different approaches. This fosters a more collaborative and harmonious writing environment.
  • Project Management: AI can assist with project management by setting deadlines, tracking progress, and assigning tasks. This keeps the writing team organized and on schedule.
  • Creativity Boost: AI can generate creative ideas, plot points, and character developments, providing a constant stream of inspiration. This helps writers overcome creative blocks and keeps the writing process dynamic and exciting.
  • Remote Collaboration: For writers working remotely, AI tools facilitate seamless collaboration by providing a shared platform where all contributors can work together in real-time, regardless of their physical location.

Overall, AI acts as a powerful assistant, allowing writers to focus on their creativity and craft while handling repetitive and time-consuming tasks. This synergy between human creativity and AI efficiency creates a dynamic and exciting landscape for writers of all kinds. The combination of human creativity and AI efficiency has opened up a thrilling new frontier for writers. It’s like having the best of both worlds—where human ingenuity and artistic flair meet the relentless precision and speed of AI.

  • Enhanced Creativity: With AI generating ideas, plot points, and character developments, writers have a steady stream of inspiration to draw from. This can lead to more innovative and compelling stories that push the boundaries of traditional storytelling.
  • Increased Productivity: AI takes care of the repetitive and time-consuming tasks, such as proofreading, fact-checking, and formatting. This allows writers to focus on the creative aspects of their work, resulting in higher-quality content produced in less time.
  • Accessibility: AI tools make writing more accessible to a wider range of people, including those who may have struggled with language barriers or disabilities. This democratizes the creative process, enabling more voices to be heard.
  • Global Collaboration: Writers from different parts of the world can seamlessly collaborate using AI translation and editing tools. This fosters diverse perspectives and enriches the content with a global touch.
  • Audience Engagement: AI’s ability to analyze reader preferences and trends ensures that content is tailored to resonate with the intended audience. This increases engagement and builds a stronger connection between writers and their readers.
  • Innovative Storytelling: With AI’s capabilities in generating new ideas and exploring different narrative paths, writers can experiment with innovative storytelling techniques. This can lead to the creation of unique and captivating stories that stand out in the market.

In essence, this synergy between human creativity and AI efficiency is not just a trend—it’s a revolution that is reshaping the writing landscape. It empowers writers to create more meaningful, impactful, and engaging content, making the future of writing incredibly exciting.



2024 Film Releases / 2025 Film Releases

ARCHIVE

Films listed alphabetically. Click on title to read more about how the films were written and made.

TV SERIES

Director Rupert Sanders
Colleen Hoover and director Justin Baldoni.
Ryan Reynolds, left, and Director John Krasinski on the set of Paramount Pictures’ “IF.”
Director Wes Ball on the set of 20th Century Studios’ KINGDOM OF THE PLANET OF THE APES. Photo by Jasin Boland. © 2024 20th Century Studios. All Rights Reserved.




Andrew Kevin Walker


John Lee Hancock, directing and producing The Little Things from a script he wrote almost 30 years ago, wanted to approach the gritty nature of the job as a means of exploring both the intellectual and psychological sides of solving crimes. MORE


2024 Film Releases / Top Films Of 2024

January 2025

  • Writer-director James Mangold was taken by the currents of A Complete Unknown – of Dylan the iconoclast, the relationships surrounding him, and his specific rise to stardom in four years. “This is a story about a specific moment in a person’s life, not their whole life. And it is about a world where so much is communicated with song.” Read more / Now in cinemas
  • Gerard Butler and O’Shea Jackson Jr. return as Detective ‘Big Nick’ O’Brien and master thief  Donnie Wilson in Den of Thieves 2: Pantera, the sequel to the 2018 action-heist hit. Now, the stakes have never been higher as enemies become allies, and the innate brotherhood, humour, and tension between Nick and Donnie reach new heights as they join forces to plot a massive heist at the world’s largest diamond exchange.  This action crime drama is written and directed by Christian Gudegast/ Read more / Now in cinemas

Ster-Kinekor’s Throwback Cinema: Enjoy cinema classics at only R50 per ticket at Sandton and Rosebank Nouveau in Johannesburg; Irene and The Grove in Tshwane; Gateway in Umhlanga; Baywest in Gqeberha; Garden Route in George; Somerset in Somerset West; and Blue Route, Cavendish, N1 City, V&A Waterfront and Tygervalley in Cape Town. Watch The Pursuit of Happyness from 17 January, No Country for Old Men from 24 January, The Truman Show on 31 January and 10 Things I Hate About You from 7 February. Book at www.sterkinekor.com or download the SK App on your smartphone.

Robert Eggers’ Nosferatu is a gothic tale of obsession between a haunted young woman and the terrifying vampire infatuated with her, causing untold horror in his wake. In the film, estate agent Thomas Hutter (Nicholas Hoult) travels to Transylvania for a fateful meeting with Count Orlok (Bill Skarsgård), a vampiric prospective client. Ellen (Lily-Rose Depp), Hutter’s new bride, is left under the care of their friends Friedrich and Anna Harding (Aaron Taylor-Johnson and Emma Corrin) in his absence. Plagued by visions and an increasing sense of dread, Ellen encounters a force far beyond her control. Read more / In cinemas 17 January

Listed Alphabetically. Click on title for more information about the film

100 Years Of AI FILMS

AI: The Secret Weapon Every Writer Needs in Their Arsenal

Let’s take a closer look at AI Communication & the Evolution of AI Conversations

Advanced AI companions are not just helpful tools; they are revolutionizing the way we interact with technology and each other. These intelligent entities are designed to foster deeper, more authentic connections, making every interaction feel as seamless and engaging as a conversation with a trusted friend. Picture having an assistant who not only understands your needs but anticipates them, offering tailored support that enriches your life in countless ways.

Imagine a world where your AI companion can remember your preferences, help you brainstorm creative ideas, and provide thoughtful insights on a range of topics. Whether you’re navigating complex tasks, seeking inspiration, or simply looking for a bit of light-hearted banter, these advanced AI companions are there to enhance your experiences and make every moment more enjoyable. They transform the mundane into the extraordinary, turning routine interactions into delightful encounters that leave you feeling understood and empowered.

In essence, advanced AI companions are here to augment our abilities and bring a touch of magic to our daily lives, making the future not just more efficient, but infinitely more captivating.

Using sophisticated AI algorithms and machine learning to understand and respond intelligently. It leverages sophisticated algorithms and machine-learning techniques to process and interpret human language. These systems analyse vast amounts of data to learn patterns, contexts, and nuances in communication. By continuously refining their models, they improve their ability to understand complex queries, discern the underlying intent, and generate relevant, coherent, and contextually appropriate responses. This allows them to engage in dynamic and meaningful conversations, offering intelligent assistance across a wide range of topics and applications.

Advanced AI systems are equipped with the ability to understand and manage the context of conversations, which is crucial for handling complex queries. This means they can keep track of what has been said previously, recognise the nuances and subtleties in the dialogue, and respond appropriately. By maintaining context over multiple turns, they can provide coherent and relevant responses even as the conversation evolves. This enables them to handle layered questions, follow-up inquiries, and intricate discussions effectively, making interactions feel more natural and seamless. Their ability to grasp and recall context ensures that users receive accurate and meaningful assistance throughout the entire conversation.

Incredibly versatile, and designed to assist users with a broad array of tasks, these AI companions excel in various domains, from boosting productivity to fueling creative projects. They can help you manage your schedule, set reminders, draft emails, and automate routine tasks, making your work life more efficient and organised. Beyond productivity, they also support creative endeavours by generating ideas, writing stories or poems, creating artwork, and even composing music. This versatility allows AI companions to be valuable tools in both professional and personal contexts, offering tailored assistance and enhancing different aspects of your life.

Designed to provide varied and personalised responses, which makes interactions feel more engaging and human-like, these AI companions can adapt their replies based on the context of the conversation and the individual preferences of the user. By understanding the nuances of language and the specific needs of the user, they can tailor their responses to be more relevant, insightful, and personalized. This dynamic capability ensures that conversations are not monotonous or repetitive but instead feel natural and interactive. Whether you’re seeking advice, looking for creative input, or just having a casual chat, these AI systems can make the interaction enjoyable and meaningful, much like a conversation with a human friend.

They are designed to continuously learn from their interactions with users. This means they analyse past conversations to identify patterns, preferences, and areas for improvement. By leveraging machine learning techniques, these AI companions can refine their algorithms, enhance their understanding of complex queries, and adapt to the unique needs of each user. Over time, this continuous learning process enables them to provide more accurate, relevant, and personalized assistance. This ability to evolve and improve ensures that the AI remains a valuable and effective tool, capable of delivering better support and more engaging interactions as it learns from each experience.

  • 1950s-1960s: The journey began in the mid-20th century with rule-based systems. These early AI models, such as the famous ELIZA program created by Joseph Weizenbaum in 1966, were designed to mimic human conversation using pre-defined rules and patterns. While impressive for their time, they were limited in understanding context and could only respond to specific keywords or phrases. ELIZA was one of the earliest and most famous examples of a computer program designed to simulate human conversation. Developed in the 1960s by MIT professor Joseph Weizenbaum, ELIZA was created to showcase the superficiality of human-computer interactions at the time. It mimicked a Rogerian psychotherapist, which means it employed techniques used in client-centered therapy, where the therapist often reflects the client’s statements back to them.
  • 1970s-1980s: Advances in NLP allowed AI to better understand and generate human language. This period saw the development of more sophisticated rule-based systems, but they still struggled with context and ambiguity. During this time significant strides were made in the field of Natural Language Processing (NLP). This period saw the development of new algorithms and models that enhanced AI’s ability to understand and generate human language more effectively. These advancements allowed for the creation of more sophisticated rule-based systems that could parse and process sentences, recognize parts of speech, and generate more coherent responses. However, despite these improvements, these early NLP systems still faced considerable challenges. They struggled with understanding the broader context of conversations, often failing to maintain coherence over multiple turns. Ambiguity in language was another major hurdle. Human language is inherently complex and nuanced, with words and phrases often carrying multiple meanings depending on the context. Early NLP systems found it difficult to disambiguate such language, leading to misunderstandings and incorrect responses.
  • 1990s-2000s marked a pivotal era in the evolution of AI conversations with the introduction of machine learning. This advancement allowed AI systems to learn from vast datasets, significantly enhancing their capabilities. Unlike previous rule-based systems, machine learning algorithms could analyze and adapt to new information, enabling more dynamic and flexible responses. During this period, chatbots became more effective at engaging users in natural conversations. They could handle a wider range of queries and adapt to various contexts. However, their scope was still somewhat limited, as they primarily relied on pattern matching and predefined responses. One notable program from this era is ALICE, developed by Dr. Richard Wallace. ALICE utilized pattern matching and a vast database of pre-set responses to engage in more natural and coherent conversations. It could simulate human-like interactions by recognizing specific patterns in user inputs and generating appropriate responses. While programs like ALICE represented significant progress, they were still limited by their reliance on pattern matching. These chatbots struggled with understanding the deeper context and nuances of conversations. They could handle straightforward queries effectively but often faltered with more complex or ambiguous interactions.
  • 2010s: The advent of deep learning and neural networks revolutionized AI conversations. Models like Google’s Transformer architecture (introduced in 2017) significantly improved the AI’s ability to understand context and generate coherent responses. Deep learning involves training AI models using neural networks, which are designed to mimic the human brain’s structure and function. These networks consist of layers of interconnected nodes (neurons) that process and analyze vast amounts of data. Neural networks brought a profound improvement in AI’s contextual understanding.This capability enabled more dynamic and natural interactions, making AI responses feel more human-like. One of the most significant breakthroughs during this period was the introduction of Google’s Transformer architecture in 2017. The Transformer model revolutionized natural language processing by introducing a mechanism called “attention,” which allowed the model to weigh the importance of different words in a sentence. This innovation enabled the model to better understand the context and relationships between words, leading to more coherent and contextually accurate responses. The combination of deep learning and the Transformer architecture drastically improved AI’s conversational abilities. This leap in technology paved the way for the development of advanced AI companions, such as OpenAI’s GPT-3 and Microsoft’s Copilot, which are capable of dynamic, multi-purpose interactions. The advancements in deep learning and neural networks have set the stage for even more sophisticated AI systems.
  • Late 2010s-Present: The development of large language models, such as OpenAI’s GPT-3 and Microsoft’s Copilot, marked a significant leap forward. These models leverage vast amounts of data and complex algorithms to understand context, maintain coherent conversations, and offer personalized responses. These large language models are trained on vast datasets comprising diverse text sources from across the internet. This extensive training allows them to develop a deep understanding of language patterns, syntax, and semantics. By leveraging complex algorithms and neural network architectures, these models can process and generate human-like text with remarkable accuracy. One of the key advancements brought by these models is their ability to understand and maintain context throughout a conversation. This ability makes conversations more coherent and engaging. They can handle multi-turn conversations, provide detailed and relevant answers, and seamlessly transition between topics. The impact of these advancements is far-reaching, with applications spanning customer service, virtual assistants, content creation, and more. Large language models are being integrated into various platforms and tools, providing users with intelligent and versatile AI companions that can assist with a wide range of tasks.

  • Beyond 2020s: The future of AI conversations promises even more sophistication, with potential advancements in emotional intelligence, more human-like interactions, and seamless integration into everyday life.
    • Emotional Intelligence: Future AI models will likely exhibit enhanced emotional intelligence, allowing them to recognize and respond to human emotions more effectively. By understanding nuances in tone, context, and sentiment, AI companions will be able to provide more empathetic and supportive responses. This improvement will make interactions more meaningful and fulfilling, as AI can better address the emotional needs of users.
    • More Human-Like Interactions: Advancements in AI will continue to blur the line between human and machine interactions. Future AI systems will become increasingly adept at mimicking human conversational styles, including humor, empathy, and intuition. This evolution will result in more natural and engaging dialogues, where AI companions can seamlessly integrate into social settings, work environments, and personal interactions.
    • Seamless Integration into Everyday Life: The integration of AI into everyday life will become more seamless and ubiquitous. AI companions will be embedded in a wide range of devices and applications, from smart home assistants to wearable technology. This pervasive presence will ensure that users can access intelligent and personalized assistance wherever they are, enhancing convenience and efficiency in daily tasks.
    • Advancements in Personalization: Future AI models will offer even greater levels of personalization, tailoring their responses and behaviors to the unique preferences and habits of each user. By continuously learning from interactions, AI companions will provide highly customized experiences that cater to individual needs, interests, and lifestyles.
    • Multimodal Interactions: As technology evolves, AI will be able to engage in multimodal interactions, combining text, voice, and visual inputs to create richer and more immersive experiences. For instance, AI companions could use facial recognition to gauge a user’s mood or employ augmented reality to assist with tasks in real-time.
    • Ethical and Responsible AI: As AI becomes more integrated into our lives, there will be a growing emphasis on ethical and responsible AI development. This focus will ensure that AI systems are designed and deployed in ways that prioritize user privacy, fairness, and transparency. Safeguards will be put in place to prevent misuse and ensure that AI serves the best interests of society.
    • Innovative Applications: The future will also bring innovative applications of AI conversations across various industries, such as healthcare, education, and entertainment. AI companions could serve as virtual tutors, providing personalized learning experiences, or as health coaches, offering real-time wellness advice. In entertainment, AI could create interactive storytelling experiences that adapt to the user’s choices and preferences. The future of AI conversations holds immense potential to transform the way we interact with technology and each other. With advancements in emotional intelligence, human-like interactions, seamless integration, personalization, multimodal capabilities, and ethical considerations, AI companions will become even more valuable and impactful in our daily lives.

If you want your script or manuscript polished professionally, The Writing Studio will turn your copy into exciting and thrilling narrative, into words and images that jump off the page and characters that resonate.

Scripts/ manuscripts can be submitted to be edited by Daniel E. Dercksen, the driving force behind the successful independent training initiative The Writing Studio.

The script editor is mainly an emotional archaeologist who will unearth the missing pieces of the puzzle.

The editing process will be a collaborative process between the writer and editor.

As an emotional archaeologist who will unearth the missing pieces of the puzzle, the script editor will focus:

  • The thematic purpose of the story
  • The characters and dialogue
  • The structural flaws in the plotting
  • The narrative style
  • The tempo, pace and rhythm of the story

As a published film and theatre journalist for 40 years, and teaching workshops in creative writing, playwriting and screenwriting throughout South Africa the past 20 years, Daniel has now relocated to the heart of the Karoo where he focuses on the development/ editing / and ghost writing of screenplays/ manuscripts.

“I have submitted my feature screenplay Whitlock to Daniel E. Dercksen for an edit and polish and was surprised by the final product. With his attention to detail, Daniel cleaned up my screenplay and returned it to me free of grammatical errors, spelling and formatting mistakes. Daniel gave my screenplay the attention it deserves. My screenplay now has a smooth and enjoyable read. I am definitely happy with the professional service I received from The Writing Studio and already have a TV Pilot and a shortfilm which I will be sending his way. The edit gave my screenplay a professional edge and fighting chance.” Adv. Michael Petersen

“Shout out to Daniel Dercksen of The Writing Studio for being part of the process of getting my autobiography out. Thank you for your many hours of editing and patience while working on my book. I look forward to working again with you!” Tracy Lee

Available now on Amazon!

In August 2023 Daniel edited the screenplay The Calling for Mireille Shimba, and arranged a reading of her poignant screenplay at the Woman Zone in Cape Town

“I am thrilled with the excellent  work Daniel has done, I am amazed with his professionalism,  my screenplay  turned from an ordinary screenplay  to an extraordinary screenplay.. I  started Daniel’s The Write Journey course in 2021, this course has given me me a different perspective and understanding on how to write a compelling story.. I have learned so much ..I feel so equipped and confident now after completing  this course.  I would  recommend this course to everyone, especially first time writers, this course provides the necessary tools  to become an excellent writer.”

“A play reading held at Woman Zone on Saturday allowed author Mireille Shimba, student of Daniel Dercksen, to get a feel for her characters and storyline. One more step on the road to this becoming a movie. Congratulations Mireille and thank you for sharing your work at our Woman’s Library.” Nancy Richards.

“Thank you Daniel Dercksen for believing in me . Thank you Nancy Richards and Woman zone CT for the amazing support 💙

In 2023 Daniel edited the screenplay Must Fall for Moopi Mothibeli, who is currently in the US negotiating his screenplay.

“Daniel Dercksen’s edit work on the script Must Fall was clean and very professional. My script makes for an easier read because of the layout and polish work you implemented. I am more than happy with the outcome,” says Moopi Mothibeli, who was born in Sebokeng and graduated from the Tshwane University of Technology with a theatre degree in Drama. He followed this up with a Master of Fine Arts degree from The Ohio State University.

In 2023 Daniel edited director and screenwriter Germain Atabe Ayum’s Silent Tears. His latest film Dark Beauty was selected by Silicon Valley African Film Festival in California, for best feature film in 2022, and nominated by Sotambe International Film Festival for best director in 2022. Atabe Ayum also wrote and directed Mzamo, a 2020 feature film now airing on Mnet – DStv, and received a silver award from International Independent Film Festival, USA, in 2020.

“I enjoyed every moment with Daniel Dercksen in the editing of my Screenplay, Silent Tears. His professional experience, passion, and quest for excellence transformed my story from a simple draft to a fully developed screenplay, ready for production. He also assisted me greatly with my Treatment and Top Sheet.” Writer-director Germain Atabe

                                                                                                             

In 2022 Daniel was fortunate to team up with Tracy Lee Swinson in editing her remarkable true story Unbreakable.

“A special thank you going out to Daniel of The Writing Studio who assisted me in editing and getting my book Unbreakable ready to submit to the publishers.”

“Today is a momentous occasion I have been signed up by Austin Macauley Publishers of London. Finally my story-Autobiography is going to published! 🙌 This is a dream come true I am so grateful for all the amazing people in my life that came along on this journey with me.”

In 2021 Daniel was contracted for 8-months by the NFVF   (The National Film and Video Foundation) to serve as story editor on the screenplay of Karen Van Schalkwyk’s Ren, which is currently in development.

We developed REN over the period of 2021 and what Daniel Dercksen gave to the process was a complete commitment and unwavering compassion for the story. REN is now at a stage, thanks to Daniel’s theoretical knowledge of the structure and the tools of screenwriting, where it is ready to seek production finance. 

They say that a great story editor must have the following traits: excellent language and writing skills, creativity, and imagination to come up with original ideas, motivation, and belief in your work, and good marketing skills. Daniel has all of these. He has worked tirelessly to help other writers and developed his own unique stories throughout the years. His knowledge of the craft extends to music, art, and literature, and he has one of the finest minds when it comes to knowing movies from all ages. He has helped me with his uncompromising technique and his non-judgemental nature.

I could not have asked for a more thorough and professional approach to REN. Daniel gave me notes and also helped structure what needed to be done. We met our deadlines and the work was done, REN is now at a stage where I can confidently say as the writer, that I am happy with the story. It takes a great story editor to get stories where they need to be.”   The journey with my screenplay editor, Daniel has been smooth sailing. In fact – it was blissful! His unique editing method – reading the script and reacting to it as if watching the movie, ensures that he: pays close attention to every factual detail and picks up any misconstruction, clarifies all fuzziness in action descriptions so that the visual image stays clear in the reader’s mind, evaluates the narrative on its level of character, story, plot, dialogue and cinematic engagement (instead of forcing the script to fit into a specific genre/structural recipe).

Writer-director Karen Van Schalkwyk   (Adventures of Supermama / Ren)

The journey with my screenplay editor, Daniel Dercksen (The Writing Studio)  has been smooth sailing. In fact – it was blissful! His unique editing method – reading the script and reacting to it as if watching the movie, ensures that he: pays close attention to every factual detail and picks up any misconstruction, clarifies all fuzziness in action descriptions so that the visual image stays clear in the reader’s mind, evaluates the narrative on its level of character, story, plot, dialogue and cinematic engagement (instead of forcing the script to fit into a specific genre/structural recipe). The organic and creative nature of the collaborative process was very rewarding and uplifting. I strongly recommend Daniel as editor. He has the rare ability to see into the mind of the artist and from there navigate the writing of the script into a polished, seamless blueprint for an engaging film. Thanks Daniel! You rock! Libé Ferreira – Former Head of Drama department at The National School of the Arts / Former Writer, Casting Director, Acting Coach at Franz Marx Films (Screenplay: What’s In Your Suitcase, 2020)

Daniel was a most valuable and expert pair of eyes recently when I had to convert a story to a short film script. I would highly recommend him to anyone looking to polish a script to be submitted with confidence. Will most certainly turn to him again with future scripts. “Many thanks. You were definitely the right person to consult. Very happy with the final outcome.” Savyra Meyer-Lippold (Illustrator, animator, copywriter & screenwriter: https://www.savyra.com/ )

Eisenberg was so inspired by that initial trip to Poland that he first wrote a play, The Revisionist, which debuted off-Broadway 2013. Eisenberg played a different character named David, a young American visiting his older Polish cousin, a Holocaust survivor, played by Vanessa Redgrave. The play was a success, but his attempts to adapt it into a screenplay didn’t get far. “All of my adaptations were bad,”

Eisenberg says plainly. “And I thought, you know, I really want to write and set a movie in Poland, to be able to film there, to be able to experience another story there. It took about 15 years to get something
good, but I finally came up with this story, which is a buddy story. And that takes place on a tour of Polish
history.”

It was a different Eisenberg project, and another attempt at adapting it to the screen, that provided that other essential part of the story. “I wrote a short story several years ago for Tablet magazine about these two guys going to Mongolia together, and the story was very similar to the dynamic in A Real Pain,” Eisenberg says.

When he hit a wall attempting to adapt it as a film, he happened upon a ‘depressingly fortuitous advertisement’ online, promising ‘Holocaust tours (with lunch)’.

As Eisenberg explains, “It took me to this company that was advertising a tour through the Holocaust sites of Poland—but with all of the creature comforts that an upper middle class American tourist would want. I read it with just a mix of awe and shock and feeling icky that I would be one of those people going on this tour where I would kind of demand my comforts while also viewing the horrors of my family’s history. And I just thought, that is a phenomenal framework to set this movie.”

In A Real Pain Eisenberg plays David, a New Yorker and young father who goes on a tour of Polish Holocaust history accompanied by his cousin Benji, played by Kieran Culkin, thanks to money left by their recently deceased grandmother. Joining a tour group led by the affable James, played by Will Sharpe, David and Benji rekindle their childhood bonds as they grapple with the family tragedies of the past that still, in some ways, define them.

Jesse Eisenberg and Kieran Culkin on the set of A REAL PAIN. Photo by Agata Grzybowska, Courtesy of Searchlight Pictures, © 2024 Searchlight Pictures All Rights Reserved.

Of the two cousins at the centre of the film, Eisenberg initially intended to play Benji, the free spirit who charms and exasperates the tour group in equal measure. “I’ve written a lot from the perspective of a character like that because I aspire to be somebody like that,” says Eisenberg. “Someone who’s looser, who is more open, who lives in the moment, who struggles with possibly the same depression I struggle with but deals with it in this freer way.”

Instead, he plays the role of David, who initially seems more grounded than Benji, with a stable if unglamorous tech job and a wife and child back home in Brooklyn.

When David and Benji meet up in the airport for their flight to Poland, it’s the first time they’ve seen each other in years, and their paths have diverged considerably. “They were very tight in their childhood, almost like brothers,” says Culkin, who plays Benji. “When they got older they just grew apart, and to me a lot of the story is about how they handled that very differently. One seemingly moves on from that and seems pretty well-adjusted, and the other one seems to be a bit of a case of arrested development, particularly when it comes to that particular relationship.”

As David is overshadowed by Benji throughout the tour, and as he confronts his family history throughout Poland, his internal struggle— essentially, a struggle with whether he should even allow himself to feel a sense of struggle — becomes clearer. “That’s why the movie is called A Real Pain,” Eisenberg says. “It’s questioning what is real and what is valid pain. Is David’s OCD pain real even when you’re visiting the sites of genocide? Is David’s general anxiety disorder real and valid even though his cousin is experiencing something far worse in his own life? That’s what the movie is questioning.”

Benji is introduced as the kind of guy who can chat up a TSA agent without seeming annoying, and whose unexpected outburst during the tour group’s first meeting is seen as charming, not inappropriate. But as the film goes on it becomes clear that his freewheeling lifestyle is the result of, yes, real pain. Still grieving the loss of the grandmother who inspired the trip, as well as mental health struggles that have recently reached a breaking point, Benji is a stark emotional contrast to his more reserved cousin.

“I think David has managed his baggage a bit and Benji really, really has not,” says Culkin. That baggage comes out in unexpected ways throughout their trip, like Benji resisting sitting in a first-class cabin on a train, or walking away from a jovial group dinner moments after he seemed to be enjoying himself.

As Eisenberg sees it, ”Benji is the real star of the movie. He’s the character that the audience is going to be, by design and thankfully because of Kieran’s brilliance, watching the whole time, trying to kind of figure out.” Enthusiastic and charming one moment, then sullen and sarcastic the next, Benji is “hard to nail down,” Culkin says. But nearly everyone knows a Benji. “It’s interesting how many people will say they know this one person that they can never quite nail down or fully understand,” Culkin says.

“He’s very charismatic and loveable, but also detestable. I know one person in my life who’s kind of like
this, and I’ve since met people that have watched this movie that have said I have a Benji in my life. I’m
like, you’ve got one too? Is it the same as mine?”

Culkin, who had wrapped the fourth and final season of “Succession” shortly before making A Real Pain
claims he did “everything in my power to get out of doing this movie,” but was ultimately too compelled by what he read in Eisenberg’s script. “I instantly went, ‘I know who this guy is, I know I can play this,’” Culkin says. “I don’t want to think about it. I can do it. It’s very, very rare when that happens.”

A Real Pain was Culkin’s first major role since Succession, and required some adjustment from the fast pace of production on that show, where scripts would shift from day to day and improv was encouraged. “I think I chose this movie because the script was tight,” Culkin says. “It was perfect. It didn’t need my help.” Both Culkin and Eisenberg, who comes from the theater world where a script is literally called the Bible, expected to play the film exactly as written.

Director Jesse Eisenberg on the set of A REAL PAIN. Photo Courtesy of Searchlight Pictures, © 2024 Searchlight Pictures All Rights Reserved.

“I could not have had a better experience shooting anywhere in the world—including my hometown New York City, or my adopted town of Bloomington, Indiana—than shooting in Poland,” says Eisenberg.

Production took place with an almost entirely Polish crew, including cinematographer Michał Dymek, winner of the National Society of Film Critics award for his work on 2023’s EO. “They were just artists,” says Eisenberg. “It was just an unbelievably ambitious shoot that I can’t imagine any other group
of a hundred people being able to pull off.”

Eisenberg took inspiration from road movies like Y Tu Mama Tambien for the film’s style and met with Dymek to discuss ways to “create a road movie that’s also beautiful, that shows Poland in a really beautiful light, but mixes the kind of elements of horror and history.” He wanted to capture the “quiet unease” of being in a comfortable tourist group while learning about horrific history.

To accomplish that, he knew the film couldn’t have a traditional score, and instead turned to one of Poland’s greatest cultural treasures: Frederic Chopin. He had visited Chopin’s home on that first trip to Poland and incorporated his Nocturnes into the sound design for his play The Revisionist. Unlike in a
traditional score where the music would highlight the characters’ emotions, the Chopin’s music in A Real
Pain
“plays almost like a running commentary,” says Eisenberg. “It gives the movie this sophisticated
removed tone that I just found very helpful. When we started editing the movie and were putting these
Chopin pieces in the places that they belonged, the editor and I just turned to each other and said, ‘This
is the tone of the movie.’”

Eisenberg, who poured so much of his own story into the film, sees two ways for audiences to experience it — as a buddy comedy about “these mismatched two guys flailing alongside each other in these various contexts,” and then as something much deeper. “Because it’s a personal movie, it hits people in personal ways,” says Eisenberg. “Some people watch this movie and tell me, ‘My family came from there, and I wept the whole movie.’ So that’s a wonderful reaction, because it makes them feel something.”

Jesse Eisenberg is an Academy Award nominated actor and an acclaimed playwright and author. His film credits include Roger Dodger, The Squid and the Whale, Adventureland, Zombieland, The Social Network, Now You See Me, The Double, Night Moves, The End of Tour, American Ultra, Louder Than Bombs, Batman v. Superman, Now You See Me 2, Café Society, Justice League, The Hummingbird Project, The Art of Self Defense, Zombieland: Double Tap, Resistance, Vivarium, Wild Indian, Manodrome, and Sasquatch Sunset which sees him play the urban legend Sasquatch.
On the small screen, Eisenberg was recently seen playing the titular character of ‘Toby Fleishman’
in the FX limited series ‘Fleishman Is in Trouble’ based on Taffy Brodesser-Akner’s best-selling novel of the
same name.
Eisenberg made his directorial debut with A24’s When You Finish Saving the World, which premiered at the 2022 Sundance Film Festival to glowing reviews and screened as a part of Critics Week at the 2022 Cannes Film Festival. The film is based on the Audible Original of the same name, both of which were written by Eisenberg.
Eisenberg has written four plays, including “The Spoils,” which had a box-office record-breaking run-on West End. He also wrote and starred alongside Vanessa Redgrave in his play “The Revisionist,” and “Asuncion.” His play, “Happy Talk” starring Susan Sarandon and Marin Ireland opened April 2019 at
the Signature Theater in New York.
Born in New York, Eisenberg is a frequent contributor to The New Yorker, the author of the collection, Bream Gives Me Hiccups from Grove Press and the Audible Original When You Finish Saving the World, which won “Best Original Work” at the 2021 Audie Awards.



REVIEW: Robert Eggers’ Nosferatu has a cryptic, beautiful, and unsettling atmosphere, transporting viewers into a world where witches, curses, and vampires are very real. It stands out for its visually stunning and atmospheric storytelling, creating a sense of timelessness and horror that resonates, exploring themes of obsession, love, and the supernatural, making it a compelling and eerie experience. Eggers’ reimagining is a labor of love and respect for the original film, while also bringing fresh, innovative elements to the table. The film features stunning cinematography, with a dark, moody aesthetic that pays homage to the original while incorporating modern techniques to heighten the eerie atmosphere. The settings are crafted with historical accuracy in mind. From the architecture to the costumes, everything is designed to immerse the audience in the period and enhance the Gothic horror ambience. The casting and performances are top-notch. The actors bring depth and complexity to their characters, making them both relatable and terrifying. The portrayal of Count Orlok is particularly noteworthy, capturing the sinister essence of the character while adding new layers of menace. Eggers’ version delves deeper into the psychological aspects of the story. The film explores themes of fear, obsession, and the unknown, making it not just a horror film, but a profound psychological experience. While it brings new elements to the table, Eggers’ “Nosferatu” remains respectful to its source material. It strikes a balance between honoring the classic and innovating within the genre, making it a standout reimagining that appeals to both fans of the original and new audiences. It’s truly a masterful blend of old and new, paying homage to a timeless classic while bringing it into the modern era with style and substance.

Nosferatu is a gothic tale of obsession between a haunted young woman and the terrifying vampire infatuated with her, causing untold horror in his wake.

In Eggers’ Nosferatu, estate agent Thomas Hutter (Nicholas Hoult) travels to Transylvania for a fateful meeting with Count Orlok (Bill Skarsgård), a vampiric prospective client. Ellen (Lily-Rose Depp), Hutter’s new bride, is left under the care of their friends Friedrich and Anna Harding (Aaron Taylor-Johnson and Emma Corrin) in his absence. Plagued by visions and an increasing sense of dread, Ellen encounters a force far beyond her control.

In many ways, my adaptation of Nosferatu is my most personal film. A story, not engendered by me, but one that I have lived with, within, and dreamed about since childhood. I often felt I had the same un-jaded creative spark of a first time filmmaker when finally making the film because of the years of thought I have put into it. I feel more fortunate than ever to have had the chance to make it with my trusted team of long-time collaborators.

It is embedded with many of my own memories and personal experiences amplified and transposed to 1830s Baltic Germany. It took time to get there, to understand the fascination. Of course, it was the image and performance of Max Schreck that haunted me as a kid. There was something essential about the mysterious vampire and the simple fairytale of Nosferatu. And I am certain that when Hutter threw open the lid of Orlok’s sarcophagus audiences gasped at the terror and imagined the stench of the undead monster. How could I find my own way there?

As recently as twenty years ago, in Southern Romania, a man believed to be a vampire was exhumed, and his corpse ritually mutilated. He was a difficult man and a heavy drinker. After he died, his family said he returned as a strigoi, attacking them in the night. His daughter-in-law particularly suffered from these nocturnal assaults and became ill. When his body was destroyed, as per the folkloric procedure, the vampiric visitations stopped. His reign of terror ended. His daughter-in-law was cured. What is the dark trauma that even death cannot erase? A heartbreaking notion. This is at the essence of the palpable belief in the vampire. The folk vampire is not a suave dinner-coat-wearing seducer, nor a sparkling, brooding hero. The folk vampire embodies disease, death, and sex in a base, brutal, and unforgiving way. This is the vampire I wanted to exhume for a modern audience.

Robert Eggers

Robert Eggers during filming of Nosferatuu. Copyright: Universal Pictures, Focus Features

Nosferatu marks the realization of a near-lifelong dream for Eggers, who fell in love with F.W. Murnau’s 1922 film Nosferatu: A Symphony of Horror as a child. As Eggers’ interest in film grew, so did his desire to make his own particular presentation of Nosferatu, inspired by both Henrik Galeen’s screenplay for Nosferatu: A Symphony of Horror and Bram Stoker’s novel, Dracula.

Eggers was inspired to write and perform a stage adaptation with classmate Ashley Kelly-Tata (now an
accomplished theater director) at his hometown high school. This production caught the attention of
Edouard Langlois, artistic director of the Edwin Booth Theatre in Dover, New Hampshire, who invited Eggers and Kelly-Tata to transfer their production to his space. The opportunity proved fortuitous for Eggers: “This made me know that I wanted to direct.”

After high school, Eggers enrolled in a drama program in New York, and later started a theater company. “I intended to return to Nosferatu again, but it never happened,” says Eggers.

Having directed the high school stage production, Eggers knew he wanted to bring the story back to the big screen in his own unique artistic way and has been working ever since to make that happen.

Eggers made his directorial debut with The Witch, a Puritan era supernatural horror film that screened to acclaim at the 2015 Sundance Film Festival. After the success of The Witch, Eggers completed a draft of Nosferatu and gathered a preliminary cast.

He ultimately set the project aside to direct his reality-bending drama The Lighthouse, which premiered at the Cannes Film Festival in 2019. The Northman, Eggers’ lauded Viking epic, followed.

Eggers returned to Nosferatu, eager to tell the twisted beauty-and-the-beast tale through his own increasingly distinct lens. Eggers’ process included exploring his story in a different medium: “I ended up writing a novella with extensive backstories and scenes that I knew would never be in the film to understand why Nosferatu needed to be told again,” says Eggers. “I had to write that novella to make it my own.”

Ellen emerged as Eggers’ driving force. “As an evolution of the story, the thing that is most significant is that this is Ellen’s film. She is a victim not only of the vampire, but of nineteenth century society,” says Eggers.

In light of this shift in focus, Eggers chose to begin his screenplay with an occurrence that would then be diagnosed as “hysteria.” “This is Ellen’s story. There’s a prologue that begins with her childhood and an unexplained but terrifying haunting,” says Eggers.

Eggers looked to the physical screenplay for Nosferatu: A Symphony of Horror for insight and inspiration. “I studied Henrik Galeen’s screenplay with Murnau’s annotations very carefully,” Eggers says. Eggers also extensively researched the occult and historical representations of vampires.

“His office was filled with hundreds of books,” producer Chris Columbus remembers. “It was almost like
walking into the office of a professor of vampirology. There were all these books on the occult, and
the history of vampirism.”

Eggers has a practical reason for grounding his scripts with historical authenticity. “The act of research is something that I truly enjoy,” says Eggers. “Part of it is about eliminating decisions; you don’t need to invent anything. you just look for it and find it.”

Dracula remained a secondary influence in Eggers’ writing process. “You can’t ignore Dracula when you’re going to approach this piece. There are a lot of things that have been in Dracula movies that I thought were in the novel but weren’t in the novel. And I had read it several times before! That was interesting, to forget everything that I had learned about Dracula and vampires – and then to relearn it from the bottom up.” Eggers wanted to create a film that was unique to him and pulled upon many references to create his own standalone version of Nosferatu.

Pauses in the careful development of Nosferatu gave Eggers the opportunity to build upon his skills as a writer, director, and producer, and to assemble a world-class team of collaborators, both in front of and behind the camera. “I wouldn’t have had as much control,” says Eggers of the fortuitousness of delaying Nosferatu. “I wasn’t as far along in my career, and I wasn’t as adept at filmmaking. It was helpful to step away from it.”

Nosferatu assembles a stellar cast that includes Bill Skarsgård, Nicholas Hoult, Lily-Rose Depp, Aaron Taylor-Johnson, Emma Corrin, Ralph Ineson, Simon McBurney, and Willem Dafoe.

Lily-Rose Depp portrays Ellen, the conflicted, possessed central figure in Nosferatu. Depp explains her attraction to the script and role: “I always loved haunted gothic tales like this. I could see the whole thing playing out as I was reading it. I was holding my breath the entire time,” says Depp.

Despite elements of possession and fantasy, Depp found that Eggers’ screenplay mined much of its shocking suspense from realism. “There’s something about this script and this movie that feels very real, visceral, and human, which is interesting because we’re talking about demons, and ghosts, and this other realm. That’s what I think is the scariest part about the movie: just how real the nightmares are,” Depp says.

Nicholas Hoult, who plays Thomas, an earnest estate agent who journeys to Orlok’s castle in pursuit
of an opportunity to build a better life for his family, was a longtime fan of Eggers’ immersive, entrancing filmmaking. “There’s no one who, in my opinion, creates authentic worlds and builds atmosphere quite like he does in his movies,” Hoult says of Eggers. “The world he has created is incredible.”

Hoult also understood the responsibility of playing a part in realizing Eggers’ childhood dream. “This film has been thirty years in the making in many ways, and I wanted to do service to the story and this character in a way that would make Rob proud,” says Hoult.

A hopeful naïveté surrounds Thomas and Ellen’s relationship. Hoult explains: “It’s a pure love, but I wouldn’t describe it as a passionate love,” says Hoult. “Thomas is very caring for Ellen and loves her deeply, but there’s obviously a lack of truth in their relationship at the start.”

On his trek to meet Count Orlok, Thomas rests at a Romanian village and ignores warnings of danger. “Thomas starts to lose sense of what’s real and what’s not. From that moment on, he is never quite sure if he’s dreaming or if the things he’s witnessing are real,” says Hoult.

Bill Skarsgård, who undergoes an astounding transformation to portray Orlok, remembers watching Nosferatu: A Symphony of Horror as a child. “My dad loves movies, and he gave me an early tour of cinema history, and Nosferatu was one of the films we watched,” comments Skarsgård.

Despite Skarsgård’s familiarity with Nosferatu: A Symphony of Horror, he found Eggers’ script to be breathtakingly original. “I read it and thought, ‘There’s nothing like this,’” Skarsgård remembers. “I thought it was one of the best scripts I had ever read.”

In Nosferatu, Willem Dafoe takes on the role of Albin Eberhart Von Franz, a professor engaged to cure Ellen. Dafoe also already had experience in this realm as he garnered an Oscar nomination in 2001 for his role as Max Schreck in the lauded behind-the-scenes drama Shadow of the Vampire, and also starred in Eggers’ The Lighthouse and The Northman. Dafoe was happy to re-team with Eggers for a third time. “The script is beautiful,” says Dafoe. “It really struck me as kind of a love story. I knew that my role was the role that Rob would play if he were an actor in this. That was a pleasure. He likes many of the things that Von Franz is versed in. Anytime I get to work with Rob I’m happy.”

Aaron Taylor-Johnson responded to his character’s precipitous lack of control. “Friedrich Harding was instantly a relatable character, someone who is a family man, someone who will go to the ends of the earth for his wife and children. It’s slowly slipping through his fingers, and he’s trying to hold it all together,” Taylor-Johnson says. In the face of alarming challenges, Friedrich continues to care for Ellen, even after he realizes that her illness may be beyond human control. “He has a guest under his roof, and a responsibility to his friend. He doesn’t want to go back on his word, but also, at some point, enough is enough,” Taylor-Johnson explains.

Emma Corrin is Anna Harding, Ellen’s friend and Friedrich’s spouse. Corrin echoes their co-stars’ appreciation for the specificity of Eggers’ screenplay. “I know how much he loved creating very curated worlds with all the detail and accuracy, almost like a painting, putting them together. I could see how this story, and its characters, and its architecture, and the whole world in which it’s set leans so much towards what he loves to do,” says Corrin.

Nosferatu reunites the renowned artists who contributed to the immersive power of Eggers’ previous films, including production designer Craig Lathrop, cinematographer Jarin Blaschke, costume designer Linda Muir, and editor Louise Ford, all of whom worked on The Northman, The Lighthouse, and The Witch. The Northman composer Robin Carolan also returns to the team.

After assembling his cast, Eggers established the production for Nosferatu in Prague’s Barrandov Studio, a longtime hub for European filmmaking. Eggers found opportunities to incorporate Prague’s architecture, and the production made a brief trip to Transylvania to shoot exteriors of Hunedoara Castle for Orlok’s Castle. In addition to the few practical locations, Lathrop designed an astounding sixty sets. “I wanted to build as much as possible,” says Eggers. “It gives me the most amount of control with how Jarin and I like to move the camera.”

Lathrop’s ingenuity led to sets that could accommodate Eggers’ ambitious camerawork. Eggers comments: “Often, it demands that we have movable walls and movable ceilings. There are several shots where a wall will open on a hinge to get the camera through, and then come back around and close back up. It’s a lot, but it’s very fun.”

The delicate dance between the actors, camera department, and crew made for an attentive set: “It’s an enjoyable way to work because every single person on set is dependent on everyone else. The tension and focus are incredibly high. If anyone – from the camera operator to the dolly pusher to the actors – does one little mishap, it all falls apart and we have to do another take. When we get it, it’s incredibly satisfying. It builds a lot of camaraderie.” says Eggers.

Blaschke shot on 35mm film and used special Dagor and Baltar lenses through the gracious assistance of Dan Sasaki at Panavision. Blaschke has a longtime interest in film photography, having developed his own sheet film negatives in trays and made contact prints from them. He brought his knowledge of nineteenth century view camera lens designs in creating the film’s look. Among Blaschke’s many goals for Nosferatu was to accurately portray the pale glow of moonlight. Blaschke explains: “If you made it look like actual moonlight does to your eye, you wouldn’t read people’s faces; you couldn’t tell the story at all. It was really riding that edge of where you can tell the story of the movie, but also believe it, and make it feel like moonlight does to your eye. That was the balancing act.”

“One of the things that we were developing since The Northman was a moonlit look that is very desaturated and closer to black and white,” adds Eggers. In finding the perfect romantic moonlight, Blaschke incorporated real candlelight with the assistance of a high-speed lens. “It’s all real flame,”
Blaschke says. “We just kept putting in candles until we got to the right exposure. It got messy, but
it’s very gratifying to shoot on film and have real candles.”

Lathrop shares Eggers’ commitment to historical accuracy and authenticity. “Once I got a script, I started digging into it in detail. This film is set in Wisborg, a fictitious town on the Baltic Coast, a Hanseatic town, and so I started researching the rich architectural history of Hanseatic towns.”

Lathrop made the home interiors a reflection of the characters’ disparate levels of wealth. “It’s important to see that Thomas and Ellen live in an extremely modest flat, but they have aspirations of something a bit grander,” says Lathrop. “Thomas is off to Transylvania to start this journey because he wants to make something of himself, or at least he wants to be a success in material way, like his friend.

Romanian screenwriter Florin Lăzărescu assisted the production by translating dialogue into Dacian, a dead language, and researching nineteenth century Transylvanian daily life. “Little by little, I started to talk to the team about different objects: icons, crosses, and toys for Roma kids. I found things I didn’t know about my country, about my culture, before researching for this movie,” says Lăzărescu.

Special Effects makeup artist David White grew up with a love of classic vampires. “When I first became interested in make-up effects, I remember leafing through the pages of reference books in the library, which were so intriguing.” White, together with Eggers, took great pride in the designing of Count Orlok and thoroughly investigated the decay of flesh and bone using medical and historical research papers and books. He noted that “Robert shared illustrations and a mood board he had created. He even showed me his own early painting of the Count, which was very useful and gave me the vibe and tone.” From this reference, David got a greater understanding of the color tones and textures that Eggers liked. Robert also shared images of noblemen of the time, their hairstyles and facial hair, as well as imagery depicted throughout the centuries, including folk art.”


ROBERT EGGERS (Writer-Director, Producer) is an award-winning writer and director. Originally from New Hampshire, Eggers got his professional start directing and designing experimental and classical theatre in New York City. Eggers eventually transitioned to film, directing several short films and working extensively as a designer for film, television, print, theater, and dance.

The Witch, his feature film debut as writer and director, won the Directing Award in the U.S. Dramatic category at the 2015 Sundance Film Festival, where it premiered to critical acclaim. It also garnered two Independent Spirit Award wins for Best First Feature and Best First Screenplay. His second feature film, The Lighthouse, premiered at Directors’ Fortnight in Cannes and won the FIPRESCI prize. The film was nominated for a 2019 Academy Award® for Best Cinematography.
The Northman, a Viking revenge saga premiered on April 22, 2022 to great critical acclaim worldwide.


There is a long recorded history of the love writers have for their cats. In fact, there are so many writers who have adored cats that it’s difficult to ignore.

Cats are elegant, mysterious, and beautiful. They are also ruthless and selfish when they have to be. Many cats have inspired works of literature including Edgar Allan Poe’s Catterina, Cleveland Amory’s Polar Bear, and T.S. Eliot’s Jellylorum.

Canadian novelist and playwright Robertson Davies once wrote, “Authors like cats because they are such quiet, loveable, wise creatures, and cats like authors for the same reasons.”

Most authors are creative introverts and cats fit beautifully into an introvert’s world. As the American author, Andre Norton said, ‘Perhaps it is because cats do not live by human patterns, do not fit themselves into prescribed behaviour, that they are so united to creative people.’

They say that a dog is a man’s best friend, but these writers found solace—and occasional inspiration—in another four-legged companion.

Do we rush through life without noticing our surroundings? Do we spend enough time caring for our own basic needs and comfort? Take a page from the feline playbook to keep you purring. By mimicking the behavior of the cats that share our homes, we can develop fuller, richer spiritual lives. From the patterns of play, to the need for sleep, to finding joy in the smallest of things, cats show us how to reach inside ourselves for higher goals, a less stressful life, and a newfound ability to purr in tune with the world. Photographs of prancing, prowling, and playful cats provide the necessary inspiration to make the most of all of your nine lives. Add Joanna Sandsmark’s inspiring book to your collection.

Marlon Brando – was American legendary actor who became iconic figure in 1950s for antisocial figure was also a great writer. He had photographed with his cats several times and Vito’s cat in iconic figure in 1950s for antisocial figure.

Marlon Brando once said, “I live in my cat’s house.”

He had a real love for felines, and gave a big movie break to a stray that was found by director Francis Ford Coppola on the set of The Godfather. Brando held the tabby in his lap throughout the opening scene, and people have thought it intentional brilliance ever since, reading symbolism into the hidden claws and softening the first impression of a mafia boss.

One of most important and influential writers in history, Charles Dickens once said: “What greater gift than the love of a cat?” He would sit entranced for hours while writing, but when his furry friends needed some attention, they were notorious for extinguishing the flame on his desk candle. In 1862, he was so upset after the death of his favorite cat, Bob, that he had the feline’s paw stuffed and mounted to an ivory letter opener. He had the opener engraved saying, “C.D., In memory of Bob, 1862” so he could have a constant reminder of his old friend. The letter opener is now on display at the Berg Collection of English and American Literature at the New York Public Library.


Mark Twain—the great humorist and man of American letters—was also a great cat lover. ‘I simply can’t resist a cat, particularly a purring one. They are the cleanest, cunningest, and most intelligent things I know, outside of the girl you love, of course.’ Twain kept eleven cats at his farm in Connecticut.  When his beloved black cat Bambino went missing, Twain took out an advertisement in the New York American offering a $5 reward to return the missing cat to his house at 21 Fifth Avenue in New York City. It decribed Bambino as “Large and intensely black; thick, velvety fur; has a faint fringe of white hair across his chest; not easy to find in ordinary light.”

The feline protagonists in Stephen King’s novels lead haunted lives. In Pet Sematary, King tells a story of loss inspired by his family’s own tragic experience with their pet cat Smucky who was hit by a car. King’s cat-filled publicity photo for the movie Cat’s Eye, based on several of the author’s short stories, proves that the author’s fascination with the macabre didn’t stop him from being a cat magnet. This famous cat-lover wrote that ‘it might be that the biggest division in the world isn’t men and women but folks who like cats and folks who like dogs.’ The Shawshank Redemption author has owned several pets over the years, including “a rather crazed Siamese cat” named Pear.

‘The cat does not offer services. The cat offers itself,” says William Burroughs, who is known for his wild, drug-induced writings, but he had a softer side as well—especially when it came to his cats. He penned an autobiographical novella, The Cat Inside, about the cats he owned throughout his life, and the final journal entry Burroughs wrote before he died referred to the pure love he had for his four pets: “Only thing can resolve conflict is love, like I felt for Fletch and Ruski, Spooner, and Calico. Pure love. What I feel for my cats present and past. Love? What is it? Most natural painkiller what there is. LOVE.”

Aside from peppering his high Modernist poetry with allusions to feline friends, T.S. Eliot wrote a book of light verse called Old Possum’s Book of Practical Cats, a collection of 15 poems, dedicated to his godchildren, regarding the different personalities and eccentricities of cats. Names like Old Deuteronomy, the Rum Tum Tugger, and Mr. Mistoffelees should be familiar to people all around the world—the characters and poems were the inspiration for Andrew Lloyd Webber’s long-running Broadway musical, Cats. Later publications of Old Possum’s included illustrations by noted artist Edward Gorey—yet another avid cat lover. You can listen to Eliot read “The Naming of Cats” here.

Patricia Highsmith doesn’t have the friendliest literary reputation around (she once said “my imagination functions much better when I don’t have to speak to people”). But The Talented Mr. Ripley and Strangers on a Train author nevertheless found a perfect way to let her imagination function with her many four-legged companions. She did virtually everything with her cats—she wrote next to them, she ate next to them, and she even slept next to them. She kept them by her side throughout her life until her death at her home in Locarno, Switzerland in 1995.

British Nobel Prize-winning author Doris Lessing wrote of her affection for cats many times, but she felt a particular affinity for her pet El Magnifico. “He was such a clever cat,” she remarked to the Wall Street Journal in 2008. “We used to have sessions when we tried to be on each other’s level. He knew we were trying. When push came to shove, though, the communication was pretty limited.”

Ernest Hemingway and his family initially became infatuated with cats while living at Finca Vigía, their house in Cuba. During the writer’s travels, he was gifted a six-toed (or polydactyl) cat he named Snowball. Hemingway liked the little guy so much that in 1931, when he moved into his now-famous Key West home, he let Snowball run wild, creating a small colony of felines that populated the grounds. Today, some 40 to 50 six-toed descendants of Snowball are still allowed to roam around the house. Polydactyl felines are sometimes called “Hemingway Cats.”

American writer Ernest Hemingway is probably the most famous cat lover in the literary world, along with Mark Twain (who took his love of cats to such an extent that he refused to be friends with people who didn’t like cats and rented cats when he was on tour and couldn’t take his own cats with him).

Many of you are probably familiar with the Hemingway House in Key West, Florida, which is home to about 60 cats. Hemingway’s first polydactyl cat, named Snow, was given to him by a captain and marked the beginning of his love for these animals.

Many of the cats that live at the Hemingway House today are descendants of Snow and are well cared for by the staff there. It’s a fantastic place for literature and cat lovers. All Hemingway cats after Snow were named after famous people (Mark Twain was one of them, as he was Hemingway’s literary role model) – a tradition that the Hemingway House continues to this day.

“A cat has absolute emotional honesty: people can hide their feelings for some reason, but a cat cannot.” – Ernest Hemingway

In 2007, Bowen, a recovering drug addict, found an injured Bob curled up on a step when he himself was living in sheltered accommodation. “He gave me this look, almost saying, ‘help’, but also ‘sort it out’,” said the author today. Bowen nursed Bob back to health, only to find the cat following him everywhere he went, even joining him when he busked and sold the Big Issue. The pair became well-known in London, going on to attract the attention of a literary agent, who sold Bowen’s story of how, with Bob’s help, he would get over his addictions to heroin and methadone, to Hodder & Stoughton. It also inspired two films.

Bob the cat died in June 2020.

Known to be a general cat lover during his life, this 18th century jack-of-all-trades was immortalized in James Boswell’s proto-biography The Life of Samuel Johnson.

In the text, Boswell writes of Johnson’s cat, Hodge, saying, “I never shall forget the indulgence with which he treated Hodge, his cat: for whom he himself used to go out and buy oysters, lest the servants having that trouble should take a dislike to the poor creature. I am, unluckily, one of those who have an antipathy to a cat, so that I am uneasy when in the room with one; and I own, I frequently suffered a good deal from the presence of this same Hodge.” Although Boswell was not a fan, Johnson called Hodge “A very fine cat indeed.” Hodge is immortalized, with his oysters, with a statue of his likeness that stands outside Johnson’s house at 17 Gough Square in London.

The Osaragi Jirō Memorial Museum in Yokohama, Japan is dedicated to the author Jirō Osaragi and features numerous cat ornaments as an integral part of its feline-themed decor. Osaragi wrote several novels connected to Yokohama, including Gento (Magic Lantern) and lived at the Hotel New Grand for over 10 years (in room 318). It’s often said that the Shōwa-period author cared for over 500 cats throughout his lifetime at his home in Kamakura, Japan—which is sometimes open to the public. Visitors can lounge on Osaragi’s terrace and sip tea while picturing the hundreds of semi-feral cats that once frolicked in the gardens.

Ray Bradbury compared parts of the writer’s creative process to cat ownership, saying that ideas, like cats, “come silently in the hour of trying to wake up and remember my name.”

His advice for writers?

“Treat ideas like cats … make them follow you.” 

In his short story, The Cat’s Pajamas, two cat lovers fight over who will keep a stray cat they find in the middle of a California highway.

Though not overt, William Yeats’s love for cats can be found in poems like “The Cat and the Moon,” where he uses the image of a cat to represent himself and the image of the moon to represent his muse Maude Gonne, a high society-born feminist and sometime actress who inspired the poet throughout his life.

The poem references Gonne’s cat named Minnaloushe, who sits and stares at the changing moon. Yeats metaphorically transforms himself into the cat longing for his love that is indifferent to him, and the heartsick feline poet wonders whether Gonne will ever change her mind. Too bad for Yeats; Maude Gonne never agreed to marry him, despite the fact that he asked for her hand in marriage—four separate times.

Raymond Chandler had an immense influence on detective fiction and came to define the tenets of hard-boiled noir. He used femme fatales, twisting plots, and whip-cracking wordplay in his evocative classics starring the detective Philip Marlowe, including The Big Sleep and The Long Goodbye. But it wasn’t all serious business for Chandler because—you guessed it—he really loved cats. His cat Taki gave him endless enjoyment, but also occasionally got on his nerves.

Here’s a passage from a letter Chandler wrote to a friend about Taki:

“Our cat is growing positively tyrannical. If she finds herself alone anywhere she emits blood curdling yells until somebody comes running. She sleeps on a table in the service porch and now demands to be lifted up and down from it. She gets warm milk about eight o’clock at night and starts yelling for it about 7.30.”

Here is a list of famous authors who loved their cats


It’s a powerful narrative that delves deep into human vulnerability and resilience, leaving a lasting impression on viewers.

Renowned playwright Tennessee Williams drew inspiration for A Streetcar Named Desire from several personal experiences and relationships. The character of Blanche DuBois is partly inspired by RoseWilliams’ sister, Rose, suffered from mental illness and underwent a lobotomy, which deeply affected him. Williams’ own struggles with mental health, alcoholism, and his complex family dynamics are mirrored in the play’s themes of fragility, desire, and the harsh realities of life.

Williams wrote the play over one year, from 1946 to 1947. He was living in New York, Los Angeles, and New Orleans during this time, and the vibrant atmosphere of New Orleans, in particular, had a significant influence on the play. It’s fascinating how the setting and his personal experiences shaped such a timeless piece. He found the title for A Streetcar Named Desire quite literally from his observations in New Orleans. The title references the actual streetcars that ran through the city at the time. One particular line was named “Desire,” and the title metaphorically aligns with the themes of the play, as it delves into the desires and struggles of the characters, especially Blanche DuBois.

It’s fascinating how a simple streetcar name captured the essence of the play’s deeper explorations

Marlo Brando and Elia Kazan discuss a scene during the filming of A Streetcar Named Desire.

Tennessee Williams collaborated with Elia Kazan and Oscar Saul to adapt “A Streetcar Named Desire” into the classic 1951 film. Kazan, who had directed the original Broadway production, also directed the film.  

The screenplay remained largely faithful to the play, with some dialogue and scenes adjusted for the cinematic format. The 1951 film was produced during a time when the Hollywood Production Code (Hays Code) imposed strict censorship guidelines. As a result, certain elements were toned down or implied rather than explicitly stated.  The film’s ending was altered to align with the moral expectations of the time. Some scenes and dialogue were trimmed or adjusted to suit the pacing and structure of a film. This helped maintain the dramatic tension and flow within a more concise runtime.

Despite these changes, the film retained the core essence and intensity of Williams’ original play, making it a powerful adaptation that continues to be celebrated.

Elia Kazan directs Vivian Leigh and Kim Hunter in a scene of the film

The film centres around Blanche DuBois, a fragile and distressed woman who moves in with her sister, Stella, and her brutish brother-in-law, Stanley Kowalski, in New Orleans. Blanche’s arrival disrupts the Kowalskis’ volatile relationship, leading to escalating tension and conflict. As Stanley unravels Blanche’s facade, uncovering her troubled past, the story explores themes of desire, mental illness, and the harsh realities of life.

The enduring significance of the film A Streetcar Named Desire to audiences in 2025 lies in its timeless exploration of human nature and societal issues.

  • The film delves into themes of desire, power, mental illness, and domestic violence. These issues remain relevant and provoke thought and discussion among contemporary audiences.
  • The iconic performances of Vivien Leigh and Marlon Brando continue to captivate viewers, demonstrating the lasting impact of exceptional acting.
  • The film’s direction, cinematography, and adaptation techniques are studied in film schools and appreciated by cinephiles for their innovative approach to translating stage drama to the screen.
  • As societal norms and values evolve, revisiting the film allows audiences to reflect on how attitudes toward gender, mental health, and relationships have changed, and what progress still needs to be made.
  • The film has influenced countless other works in theatre and cinema, establishing a legacy that continues to inspire creators today.

By revisiting A Streetcar Named Desire, modern audiences can gain insights into both the historical context of its creation and the ongoing relevance of its themes.Through its powerful performances and innovative storytelling, it remains a touchstone for creators seeking to delve into the depths of human experience and emotion.

Thomas Lanier Williams III, better known as Tennessee Williams, was born on March 26, 1911, in Columbus, Mississippi. He was a renowned American playwright and screenwriter, celebrated for his powerful and emotionally charged dramas.his most notable works include “The Glass Menagerie” (1944), “A Streetcar Named Desire” (1947), “Cat on a Hot Tin Roof” (1955), and “The Night of the Iguana” (1961). His plays often explore themes of human frustration, desire, and the complexities of family relationships. He gained widespread recognition with the success of “The Glass Menagerie”, which was followed by a string of successful plays, including the Pulitzer Prize-winning “A Streetcar Named Desire”. Williams’ work has left a lasting legacy on American theatre and continues to be studied and performed worldwide. Williams struggled with personal issues, including mental health challenges and alcoholism, which often influenced his writing. He passed away on February 25, 1983, in New York City

Set Clear Goals: Define what you want to achieve this year. Whether it’s completing a novel, improving your craft, or getting published, having clear, attainable goals will keep you focused and motivated. Clear and attainable goals are like a roadmap that guides you toward your desired destination. They provide direction, help prioritize tasks, and give you a sense of accomplishment as you achieve them. Plus, they keep you motivated by breaking down the journey into manageable steps, making it easier to track progress and stay on course.

  • Set aside dedicated time each day for writing. Even if it’s just 30 minutes, consistency is key.
  • Complete at least one major writing project this year.

Create a Writing Routine: Establish a regular writing schedule that fits your lifestyle. Consistency is key, even if it’s just a few minutes each day. This routine will help build your writing habit and keep you progressing steadily.

Find Your Inspiration: Seek out sources of inspiration that resonate with you, whether it’s reading books, watching movies, exploring nature, or engaging with art. Surround yourself with creativity to fuel your own.

Challenge Yourself: Step out of your comfort zone and experiment with different genres, styles, and formats. Embrace new writing challenges to grow as a writer and discover new facets of your creativity.

Join a Writing Community: Connect with fellow writers through writing groups, workshops, or online forums. Sharing your journey, receiving feedback, and offering support can be incredibly motivating and enriching.

Prioritize Self-Care: Writing can be mentally and emotionally demanding, so it’s essential to take care of yourself. Make time for relaxation, exercise, and activities that rejuvenate your mind and body.

Celebrate Small Wins: Acknowledge and celebrate your achievements, no matter how small. Each step forward is progress, and recognizing these milestones will keep your spirits high.

Learn Continuously: Invest in your growth as a writer by taking courses, reading craft books, and seeking feedback. Stay curious and open to learning new techniques and insights.

Write with Passion: Let your love for storytelling drive you. Write about topics that excite and move you, and your passion will shine through in your work, captivating your readers.

Stay Persistent: The writing journey is filled with ups and downs, but perseverance is key. Keep writing, even when faced with challenges or setbacks, and remember that every word you write brings you closer to your goals.

Unlock Your Writing Potential with Our 10 Inspiring Courses!

From sparking your creativity to penning the first captivating pages of your story, each course is designed to fuel your passion and sharpen your craft. Whether you’re a budding writer or an experienced wordsmith, join us on this transformative journey and watch your ideas come to life on the page.

Understanding the fundamentals of genre is pivotal for any storyteller. Genre isn’t just a label; it’s the blueprint that shapes your narrative’s framework, guiding the tone, style, and expectations. Think of it as the compass that navigates your creative journey, ensuring that your story resonates with its audience.

Before diving into the intricate process of developing your story idea, it’s crucial to first determine the genre in which you want to set your narrative. Choosing the right genre serves as a foundational step that influences the tone, style, and direction of your story. Whether you’re aiming for the suspenseful twists of a thriller, the heartwarming moments of a romance, or the imaginative wonders of science fiction, the genre acts as your guiding framework. So, take a moment to explore the possibilities and decide where your creative journey will begin.

Genre is a word that often creeps into writing and can be easily misunderstood or misread.

Choosing the genre for your story is a pivotal step in the creative process. It defines the category or type of narrative you wish to craft. Your story could fall into the realms of drama, romance, action-adventure, science fiction, comedy, horror, musical, or documentary. Alternatively, you might opt for a well-balanced blend of genres, such as an action-packed romance or a horror-comedy. Each genre brings its unique flavor, setting the tone, style, and overall direction of your tale. So, take a moment to consider which genre best aligns with your vision and let it guide your storytelling journey.

Genres such as drama, romance, action-adventure, science fiction, comedy, horror, musical, and documentary each bring their unique set of conventions and themes. For instance, in horror, the aim is to evoke fear and suspense, whereas in comedy, the goal is to entertain and amuse. Each genre offers a distinct lens through which your audience experiences your story.

Moreover, don’t shy away from experimenting with genres. Mixing genres can lead to innovative storytelling, creating a hybrid that stands out. Imagine the thrill of an action-packed romance or the delightful chills of a horror-comedy. The possibilities are endless, and stepping out of your comfort zone can unlock your story’s full potential.

In essence, genre serves as the foundational element that informs your story’s structure and content. It helps you understand your protagonist and antagonist’s roles, shapes your narrative style, and most importantly, aligns with audience expectations to ensure an engaging and satisfying experience. Embrace the power of genre to elevate your storytelling and captivate your readers or viewers.

Understanding the genre of your story is essential to ensure that you connect with your intended audience. It’s about delivering the key elements and expectations that make your readers or viewers feel satisfied. Regardless of how brilliant your story may be in its own right, if you fail to meet the genre’s conventions, you risk frustrating your audience and diminishing the impact of your narrative. Genre serves as a guiding framework that helps you fulfill the promises you’ve made to your audience, ensuring an engaging and successful story.

Genres are harsh on those who don’t know the history, don’t know the rules. Once you know them, you’ll know where they can be broken. Terry Pratchett (‘A Slip of the Keyboard’)

Genre is a type of story that has a visceral appeal to its audience

Storytelling is genre-driven and each genre has demands that must be understood and met… Since there are certain requirements that studio readers and audience members consciously and subconsciously expect to be met, the greater the chance you have of making a sale. Richard Krevolin

Know who your audience / readers are. Give them what they want.

Read more about Den Of Thieves

REVIEW: It’s a continuation of a successful franchise. The film is inspired by the real-life Antwerp diamond heist that took place in Belgium in 2003 and adds an element of realism and intrigue to the plot. The plot revolves around a high-stakes heist involving a notorious gang called Pantera, with Sheriff O’Brien going undercover to take down the criminals from the inside. It promises to deliver more heart-pounding action, intricate heist planning, and darker twists, making it an exciting addition to the franchise.

Gerard Butler, who plays the role of Detective ‘Big Nick’ O’Brien and Gudegast entertained ideas for Den of Thieves 2: Pantera not long after Den Of Thieves became a global hit. “We thought, how can we raise it to the next level?” the Butler remembers. “In Den of Thieves, we went to the Federal Reserve. How do you go even bigger than that?”

Butler contributed to shaping the story for the sequel. His creative input adds depth and continuity to his character. He embraced how Den of Thieves 2: Pantera is focused on building the dynamic between
Nick and Donnie, in a subversive “buddy movie” way. “I knew we had an epic tale full of character
and excitement. Donnie and Nick are on this collision course. Nick’s going to get his revenge, but
it doesn’t quite turn out the way you think. He’s been completely hoodwinked by Donnie, who got
the better of him at the end of the first film.”

“At its core, this film is a love story between a thief/gangster and a cop,” Gudegast adds. “It’s an
epic buddy film.”

Christian Gudegast directs from his original screenplay based on characters created by Gudegast
& Paul Scheuring. He graduated Magna Cum Laude from UCLA film school and began his career as a screenwriter, selling his first script, Black Ocean, to Oliver Stone. Starting his career as a writer on Jerry Bruckheimer’s first TV show, “Soldier of Fortune,” Gudegast wrote A Man Apart, The Rundown, and London Has Fallen, among others, and worked as one of Hollywood’s most sought-after script doctors for years. In 2009, he produced the award-winning documentary Sequestro about kidnapping in Sao Paolo, and directed, shot, and edited the documentary Shotcaller. His next film is Mafia X for Thunder Road.

The film picks up immediately after the events of the first movie, with Sheriff “Big Nick” O’Brien (Gerard Butler) on a relentless pursuit of Donnie Wilson (O’Shea Jackson Jr.) who has fled to Europe. Now, the
stakes have never been higher as enemies become allies, and the innate brotherhood, humour, and tension between Nick and Donnie reach new heights as they join forces to plot a massive
heist at the world’s largest diamond exchange.

Gudegast expands the franchise’s world and amps up the action, scope, stunts, and the evolving dynamic between Nick and Donnie.

The film is inspired by the real-life 2003 Antwerp diamond heist, often referred to as the “heist of the century” due to its audacity and scale.

The 2003 Antwerp diamond heist was orchestrated by Leonardo Notarbartolo, an Italian thief who posed as a diamond merchant to gain access to the building. The heist took place on the night of February 15-16, 2003, at the Antwerp Diamond Center in Belgium, one of the most heavily secured places in the world. Thieves stole loose diamonds, gold, silver, and other jewelry valued at over $100 million. The vault was protected by multiple security mechanisms, including infrared heat detectors, a seismic sensor, Doppler radar, and a magnetic field. he thieves bypassed the extensive security systems and spent hours inside the vault, opening 123 of the 160 safe deposit boxes. They left the vault in a pristine state to avoid detection. The heist went undetected until the following Monday morning. Notarbartolo and several members of his gang were eventually arrested, but most of the stolen diamonds remain unrecovered. The case remains one of the largest unsolved heists in history, and the mystery surrounding the whereabouts of the stolen diamonds continues to intrigue people to this day.

Den of Thieves 2: Pantera promises an even more ambitious and thrilling heist plot. The stakes are higher, and the action is more intense, making it a gripping watch for fans of the genre.

The film expands the world established in the first movie, introducing new characters and settings while building on the established lore. This expansion adds richness to the franchise and opens up possibilities for future instalments. The sequel boasts impressive production values, with stunning cinematography, elaborate set pieces, and high-octane action sequences. The attention to detail and commitment to delivering a visually spectacular experience elevate the film.

“I hope that audiences will find the film to be an authentic and thrilling ride,” concludes Gudegast. “I want them to feel the tension and emotional and physical toll this kind of heist takes on the characters. I want them to feel like they’re in the diamond center, with the breathing and the exhaustion and the sweat and having to be quiet – to take them into this insider’s view and live through that experience.”

These films offer a mix of action, comedy, and suspense, making them great choices for fans of the heist genre.

To Catch a Thief (1955) – A classic Alfred Hitchcock film. The film stars Cary Grant as a retired cat burglar who has to save his reformed reputation by catching an impostor preying on wealthy tourists (including an oil-rich widow and her daughter played by Grace Kelly) on the French Riviera.

The Pink Panther (1964) – This comedy-mystery follows the antics of the bumbling and inept French Inspector Jacques Clouseau (Peter Sellers) as he tries to catch the elusive jewel thief known as “The Phantom.” The main target is the Pink Panther, a stunning diamond with a unique flaw resembling a leaping panther.

Snatch (2000) – Directed by Guy Ritchie, this British crime-comedy follows two main plots. One involves a stolen diamond that various criminals are after, while the other revolves around a small-time boxing promoter, Turkish (Jason Statham), who finds himself in deep trouble when a fight goes wrong. The stories intersect in unexpected and often humorous ways.

Flawless (2007) – A Crime drama film that delves into the world of diamonds and heists. The story is set in London in the 1960s and follows Laura Quinn (Demi Moore), an executive at the London Diamond Corporation who faces gender discrimination and a glass ceiling in her career. She teams up with Mr. Hobbs (Michael Caine), a janitor with a cunning plan to steal diamonds from the corporation’s vault. The heist involves a clever and meticulous plan that hinges on their insider knowledge of the company’s operations.

The Town (2010) – Directed by and starring Ben Affleck, this film focuses on a group of bank robbers who plan a heist in their hometown, with a stolen diamond playing a key role. The film is set in the Charlestown neighborhood of Boston, known for its high rate of bank robberies. Doug MacRay (Ben Affleck) is a skilled thief who leads a group of bank robbers, including his volatile best friend, Jem Coughlin (Jeremy Renner). During a heist, they take a bank manager, Claire Keesey (Rebecca Hall), hostage. After releasing her, Doug begins a cautious relationship with Claire, who is unaware of his role in the robbery. As Doug contemplates leaving his criminal life behind, he faces increasing pressure from the FBI and tensions within his crew.



TOP FILMS OF 2023 / 2024 FILM RELEASES / 2025 FILM RELEASES

Daniel Dercksen shares his top films of 2024

Daniel Dercksen is a published film journalist of 40 years who’s been teaching workshops and courses in creative writing, playwriting and screenwriting internationally since he formed The Writing Studio in 1999.


ALL OF US STRANGERS is a masterful blend of emotional storytelling, complex characters, and surreal atmosphere that makes it a profoundly moving film. The film delves deeply into themes of love, loss, and reconciliation. It captures the raw emotions of its characters, making the audience feel every moment of joy and heartache. The relationship dynamics between Adam, played by Andrew Scott, and Harry, played by Paul Mescal, are portrayed with authenticity and vulnerability. The characters are richly developed and multi-dimensional. Adam’s interactions with his parents, who appear as they were before their untimely death, add layers of emotional complexity and poignancy. This blend of reality and fantasy allows for a profound exploration of grief and unresolved emotions. Andrew Haigh’s direction is meticulous and sensitive to human behavior. His ability to create intimate and emotionally charged scenes makes the film an unforgetable experience. READ MORE

MARIA – Directed by Pablo Larraín, it profoundly impacts its audience through its moving portrayal of the last days of the legendary opera singer Maria Callas. The film captures Callas’s introspective journey as she reflects on her life and career during her final days. Angelina Jolie’s powerful performance brings depth and authenticity to the character, making her internal struggles and emotions resonate sharply with the audience.The film delves into themes of identity, artistic legacy, and the personal cost of fame. It portrays Callas’s search for her own voice, emphasizing the complexities of her character and her profound impact on the world. By focusing on Callas’s private moments, the film offers an intimate look into her vulnerabilities and strength. Larraín’s direction, combined with the cinematography by Edward Lachman, presents a visually stunning and emotionally charged narrative that mirrors the grandeur of Callas’s life. This artistic approach elevates the film, making it a significant piece in contemporary cinema. Its emotional depth, historical richness, and artistic excellence makes the film a significant and unforgettable cinematic experience. The film releases on January 31, 2025 in South Africa. READ MORE

CONCLAVE centers on a papal election following the sudden death of the pope. It delves into the complexities and secrecy of the conclave process, a traditionally closed and confidential event. Edward Berger’s direction ensures that the film not only tells a compelling story but also invites audiences to ponder the moral and ethical questions raised. His vision brings out the profound themes of faith, duty, and the human condition.The film’s narrative weaves political intrigue, personal secrets, and power struggles, making it a gripping and intellectually engaging experience. The film explores the power dynamics within the Vatican, highlighting the influence of politics and personal agendas in the selection of a new pope. This examination provides insight into the intricate balance of power and faith, and how they shape major decisions in the Church. The film delves into the dualities of faith and doubt, exploring how the cardinals reconcile their spiritual beliefs with their personal ambitions and secrets. It examines the facets of human nature, including virtue, temptation, redemption, and the complexities of making moral choices under pressure. Ralph Fiennes and Isabella Rossellini deliver standout performances, bringing depth and complexity to their characters. Their portrayals reflect the personal and ideological conflicts faced by the cardinals, making the film a compelling character study. Its significant contribution to contemporary cinema offers a rich blend of political drama, symbolism, and thought-provoking themes. READ MORE

THE HOLDOVERS is a heartwarming dramedy that poignantly delves deeply into the lives of its main characters. The unlikely bond and personal transformations between Paul Giamatti as a stern and unpopular professor, Dominic Sessa as a troubled student, and Da’Vine Joy Randolph as the head cook mourning her son, make the story a poignant exploration of human connection. Alexander Payne’s direction balances humour and melancholy, turning what could be a cliched “holiday movie” into a richly textured narrative about life’s unpredictability and the beauty of unexpected friendships. READ MORE

SOCIETY OF THE SNOW is a testament to the indomitable human spirit, deftly balancing harrowing reality with moments of hope and compassion. J.A. Bayona’s direction brings a profound sense of humanity to the film. His approach emphasizes the inner strength and resilience of the survivors, avoiding sensationalism and focusing instead on their emotional journeys. The breathtaking yet deadly Andes mountains are captured by Pedro Luque’s cinematography, emphasizing both their beauty and their menace. The stark contrast between the serene landscape and the dire situation of the survivors enhances the emotional weight. The film is based on the true story of the 1972 Andes plane crash in which a Uruguayan rugby team was stranded in one of the planet’s most hostile environments. Their ordeal, including extreme measures to stay alive, is portrayed with sensitivity and care, exploring the psychological effects on the survivors and their struggle with guilt and trauma. READ MORE

THE BIKERIDERS portrays the complex relationships within the biker community and examines the tension between the idealized American Dream and the reality of individual lives. Characters like Johnny sacrifice traditional family life for a constructed one with their biker family. The movie explores how modern American life shifts through these characters and scrutinizes the consequences of chasing grandiose dreams. Director Jeff Nichols, who is known for his talent in creating character-driven stories with a strong sense of place, builds a gritty and immersive narrative, masterfully capturing the essence of 1960s motorcycle culture and the complex dynamics within the biker community, making it a compelling and emotionally resonant film. READ MORE

POOR THINGS– Yorgos Lanthimos’s masterful direction brings a unique and eccentric style to the film, blending dark humour with deep philosophical questions, making the film both intellectually stimulating and emotionally resonant. The film confronts patriarchal norms and highlights women’s autonomy and freedom in their sexual choices. Bella’s journey of self-discovery and liberation highlights the struggles against societal expectations and oppression. The film subverts traditional cinematic objectification and empowers its female protagonist, making a statement on gender dynamics. Bella’s resurrection and the ensuing quest to understand her new life delve into themes of identity and self-realization. This emotional journey is both heartwarming and heart-wrenching, as Bella navigates a world full of wonders and tragedies. READ MORE

WOMAN OF THE HOUR – Directed by Anna Kendrick, it’s a significant film for its daring exploration of true crime, gender dynamics, and the unsettling intricacies of the human psyche. The film is based on the true story of Rodney Alcala, a notorious serial killer who appeared on the television show “The Dating Game” in 1978 while he was still at large. This chilling real-life event adds a layer of gravity and intrigue to the film. READ MORE

HORIZON: CHAPTER 1 blends a rich historical context with compelling storytelling. Directed by Kevin Costner, the film benefits from his nuanced understanding of Westerns, blending authentic historical details with compelling drama. It paints a vivid picture of the turbulent times, focusing on the settlers and the Indigenous peoples, capturing the complexities and conflicts of the era. Its epic scope sets the stage for a four-part saga, sprawling across the vast American frontier before, during, and after the Civil War. The film doesn’t shy away from the brutal realities of the time, including clashes between settlers and Indigenous tribes, making it a powerful exploration of survival and coexistence. READ MORE

KINGDOM OF THE PLANET OF THE APES serves as the latest installment in the iconic “Planet of the Apes” franchise, which dates back to 1968. Directed by Wes Ball, the film focuses on the journey of Noa (Owen Teague), a young ape from the Eagle Clan, as he evolves from a child to a leader. Similar to its predecessors, the film delves into ethical and philosophical questions, exploring the power dynamics between apes and humans. It reflects on themes of survival, co-existence, and the impact of technology on societies. The film boasts stunning visuals and special effects, creating an immersive experience and bringing the post-apocalyptic world to life. READ MORE

JOKER: FOLIE À DEUX is a masterfully impactful film thanks to its deep themes, exceptional storytelling, and powerful performance. The phrase “Folie à Deux” translates to “madness shared by two,” perfectly capturing the symbiotic and disturbing relationship between Arthur Fleck (Joaquin Phoenix) as Joker and Harley Quinn (Lady Gaga). This shared delusion brings a new depth to their characters, emphasizing the psychological complexities of their bond. The film delves into the nuances of mental health, raising profound questions about sanity, accountability, and societal treatment of those deemed “insane”. Incorporating musical elements into a dark and chaotic narrative adds a layer of surrealism. Todd Phillips’ nuanced direction and vision elevate the film and challenges traditional superhero storytelling, focusing instead on the blurred lines between heroism and villainy, sanity and madness. This subversion leads to an introspective commentary on the nature of villainy and the fantastical elements of superhero films. Joaquin Phoenix and Lady Gaga deliver mesmerizing performances, embodying their characters with depth and intensity. Their portrayal adds emotional and psychological weight to the film, making their descent into madness both compelling and disturbing. READ MORE

ONE LIFE serves as a powerful reminder of the impact that one person’s compassion and courage can have on the lives of many. Director James Hawes brings the incredible true story of Sir Nicholas Winton to life on-screen with a compelling and heartfelt narrative that tells the extraordinary true story of Sir Nicholas Winton, a British humanitarian who rescued 669 predominantly Jewish children from Nazi-occupied Czechoslovakia just before World War II. It delves into themes of humanity, empathy, and the difference one person can make. By focusing on the personal stories of the children rescued and their emotional reunions with Winton decades later, the film underscores the profound impact of selfless humanitarian act. The film sheds light on a lesser-known chapter of history, ensuring that Sir Nicholas Winton’s contributions are recognized and remembered. It also emphasizes the importance of preserving and sharing such stories to inspire future generations. READ MORE

THE ZONE OF INTEREST – Directed by Jonathan Glazer, the film offers a chilling and contemplative look at the Holocaust from the perspective of an Auschwitz commandant and his family living next to the concentration camp. This unique viewpoint challenges viewers to confront the banality of evil and the complicity of ordinary people in horrific events. READ MORE

ORDINARY ANGELS – Directed by Jon Gunn, the film stays true to the essence of the real-life events while adding cinematic elements to enhance the storytelling. As a faith-based film, Ordinary Angels explores themes of faith, hope, and the impact of personal transformation. Sharon Stevens’ journey from struggling with alcoholism to becoming a beacon of hope for the Schmitt family is a central element of the story. The film highlights the power of community support and kindness. It showcases how ordinary people can come together to make a profound difference in someone’s life, emphasizing themes of compassion and solidarity. Despite the challenges faced by the characters, Ordinary Angels delivers an uplifting and optimistic message about the human spirit and the importance of helping others. READ MORE

HERE – Based on the graphic novel by Richard McGuire, Here tells a generational story about families and the special place they inhabit. The narrative spans multiple time periods, from prehistoric times to the present day, offering a unique and nonlinear storytelling experience. The film employs digital de-aging technology to allow the cast to portray their characters across different eras. This innovative approach adds a visually captivating element to the film, enhancing the storytelling. Here explores universal themes such as love, loss, laughter, and life, capturing the human experience in its purest form. The film’s focus on these relatable themes resonates with audiences on a deep emotional level. Directed by Robert Zemeckis, known for his visually stunning films, Here boasts impressive production values, including cinematography by Don Burgess and music by Alan Silvestri. READ MORE

GLADIATOR II – Directed by Ridley Scott, the sequel continues the story of the original Gladiator (2000) and maintains the same high production values and epic storytelling. that fans loved in the first movie. The plot delves deeper into the world of Ancient Rome, focusing on new characters and conflicts while still honoring the legacy of the original film. Overall, it stands out as a significant sequel due to its star-studded cast, epic storyline, visual spectacle, and has reignited interest in the story of Maximus and the world of Ancient Rome. READ MORE

DUNE: PART TWO – : Directed by Denis Villeneuve, the film is known for its stunning visuals, including breathtaking desert landscapes and epic battle scenes. The production quality and attention to detail create an immersive experience for viewers. As part of the larger Dune franchise, the film has reignited interest in the source material and its themes of power, destiny, and human nature. It has also sparked discussions about the dangers of charismatic leaders and the impact of prophecy on society. Dune: Part Two stands out as a significant sequel due to its compelling continuation of the story, character development, visual spectacle, and thought-provoking themes. READ MORE

THE WILD ROBOT – The film is based on the popular novel by Peter Brown, which has garnered a dedicated fanbase. The adaptation brings the story to life with stunning visuals and a compelling narrative. The film explores themes of love, compassion, and selflessness. It tells the story of Roz, a robot who becomes stranded on an island and adopts a gosling named Brightbill1. Through their journey, the film highlights the importance of adoptive parenthood and the idea that love transcends biological connections. Directed by Chris Sanders, the film features stunning animation and breathtaking visuals that capture the beauty of the island and its inhabitants. It’s a thoughtful and heartwarming tale that resonates with audiences of all ages. READ MORE

SPEAK NO EVIL – Directed by James Watkins, the film is a psychological horror thriller that keeps viewers on the edge of their seats with its tense atmosphere and unsettling plot, exploring themes of trust, hospitality, and the dangers of ignoring one’s instincts. It serves as a cautionary tale about the potential consequences of being too polite or trusting. It stands out for its compelling story, strong performances, and its ability to blend psychological horror with social commentary, making it a notable film in the genre. James McAvoy delivers a standout performance as Paddy, the unsettling host. Critics have noted that McAvoy’s performance is one of his best since his role in “Split” (2016). READ MORE

HERETIC is the most shocking film of the year. Hugh Grant delivers a chilling performance as Mr. Reed, a character who turns a theological discussion into a deadly game of cat-and-mouse. It simultaneously quickens the pulse and provokes thought, making it a standout film in the horror genre this year. READ MORE

BROS is one of the first gay romantic comedies produced by a major studio and features an openly LGBTQ principal cast. The film stars Billy Eichner and Luke Macfarlane as two gay men in Manhattan who avoid commitment but are drawn to each other. The film is co-written by Eichner, whose involvement ensures that the story is told from a genuine perspective, reflecting real experiences and emotions within the LGBTQ+ community. It addresses themes of love, relationships, and identity in a way that is both humorous and heartfelt. It challenges stereotypes and offers a more nuanced portrayal of LGBTQ+ individuals, contributing to broader cultural conversations about inclusion and acceptance. READ MORE

LONESOME– Directed by Craig Boreham, the film is a poignant and timely queer love story that explores themes of loneliness, isolation, and the search for genuine connection in a hyper-connected world. The film delves into the complexities of human relationships and the emotional scars that people carry. It portrays the journey of two men, Casey and Tib, who are both struggling with their own traumas and trying to find a sense of belonging. The film has received praise for its heartfelt storytelling, strong performances by Josh Lavery and Daniel Gabriel, and its ability to balance humor with emotional depth. READ MORE

Top Streaming Series

Richard Gadd delivers an autobiographical account of his own terrifying experience with a stalker. This personal connection adds a raw, palpable intensity to the narrative. Gadd’s willingness to share such a vulnerable part of his life makes this story exceptionally impactful. READ MORE
The Gentlemen TV series, created by Guy Ritchie, retains his distinctive blend of action, comedy, and crime drama. His unique style of storytelling, sharp dialogues, and dynamic direction make the series engaging and entertaining. READ MORE
Alfonso Cuarón’s Disclaimer revolves around a journalist whose life is turned upside down when a mysterious novel reveals a dark and hidden part of her past. The series has been praised for its nuanced storytelling and stellar performances, making it a standout production on Apple TV+READ MORE

COPYRIGHT – 2025 / DANIEL DERCKSEN / THE WRITING STUDIO/ ALL RIGHTS RESERVED

REVIEW

The Academy Award-winning director’s latest project is a star-studded Apple TV+ series that makes you think about everything differently. For more than 30 years into a wide-ranging career that spans pictures like the Frances Hodgson Burnett adaptation A Little Princess, the space reverie Gravity, and the memoir-as-film drama Roma, Cuarón was more interested in subtle emotional textures, now he brings his big-screen, big-story gifts to a limited series, an adaptation of Renée Knight’s 2015 psychological thriller Disclaimer.

“Renée Knight and I have acquaintances in common. She sent me the manuscript, and I really liked it. I just didn’t know how to make it happen as a conventional film. And so time passed, I went to do Roma, and toward the end of that Knight got in touch, saying, Hey, in case you’re interested, the rights are available. And that was a moment when I was very intrigued about exploring episodic TV. I enjoy many series, and they have amazing writing and amazing acting. But only very few have a cinematic approach. So I was intrigued. How can you hijack the conventional, writer-oriented show into something that is closer to cinema?”

Knight’s novel is lots of things at once: a thriller, a riff on the idea of the unreliable narrator, a meditation on how easy it is, with all the digital means at our disposal, to cancel a career or, worse, ruin a life, simply because we think we know all the facts. Yet in some ways, Cuarón—who also adapted the script—has taken the themes of Knight’s book and intensified them. His take is elegant and suspenseful, but it’s also compassionate. Disclaimer is about, he says, the stories that we build out of our own lives, which we then present to others—to the people closest to us but also to society. “As humans, we’re trying to cope with many different things,” he says, “but mainly, probably, with an immense sense of loneliness.”

In Disclaimer Catherine Ravenscroft (Blanchett) is an acclaimed journalist and documentary filmmaker living a seemingly perfect life with her adoring husband, Robert (Sacha Baron Cohen) and their surly son Nicholas (Kodi Smit-McPhee). But when a mysterious novel finds its way into her life, she realizes the story tells a long-harbored secret of hers that no one else has ever known—and now she must deal with the consequences of people potentially learning of something she thought was buried away in her past.


EPISODES& IMAGES

Multiple characters in Disclaimer believe what they want to believe, easier than reckoning with reality. When Cuarón was young, he’d seen Bernard Queysanne’s 1974 The Man Who Sleeps, written, in the second person, by the experimental novelist Georges Perec. In structuring Disclaimer, Cuarón wanted to try telling the story in first-person, second-person, and third-person voices: Kline’s Stephen is the “I.” The people around Catherine—anyone who might be tempted to judge her—are the third-person observers. And Catherine’s story is told in the second person: she narrates her own arc, as if rendering judgment on her own behavior—accusing rather than defending herself, perhaps.

The use of the second person, Cuarón notes, is rare in film, and maybe not the sort of approach you could pull off with just any actor. But Blanchett, he says, was more than just the star of the series. Though he usually doesn’t write a script with an actor in mind, this time was different: “I’m writing, and I’m thinking of Cate.” He knew how fortunate he was when she said yes, and he considers her a creative partner on the project. She’d marked up her script à la Dostoyevsky’s manuscripts. “Have you seen those? How he wrote arrows moving up and down, and scratching parts out, and little things that only he understood? That was Cate’s script.” She asked questions that helped him shape the story. And she was the first person, he says, to see the initial cut. Cuarón says her feedback was invaluable. “That was Cate. Incredible! I’m so blessed and lucky.”

But then, luck comes to those who are open to it. And Cuarón’s MO is to welcome the collaborative gifts of people he trusts, like his longtime friend and creative partner Emmanuel Lubezki, who has shot most of his movies. It was Lubezki’s idea to bring on a second cinematographer, Bruno Delbonnel, whose credits include films as varied in style as Amélie and Inside Llewyn Davis. Lubezki—Cuarón, along with just about everyone else, calls him Chivo—was the one who’d suggested changing the look of the film according to the shifting points of view: there are flashback scenes requiring a softer look, while sequences set in the present might demand higher contrast or slightly crisper images. “It was beautiful,” Cuarón says, “to see the conversations between the two of them collaborating.” Shooting with two cinematographers took a great deal of planning and coordination. But Cuarón is most aware of the demands he made on his actors—and how ably they met them. He had initially planned to write and direct just the pilot for Disclaimer. But once he started writing, he didn’t want to stop, and he agreed to direct the whole series. He decided to treat the project as one long film—which meant shooting more script pages each day, resulting in a much longer schedule.

Disclaimer is a powerhouse vehicle for both its director—allowing him to both play with different points of view and build an expansive, visually-stunning world filled with fleshed-out characters—and its stars, with indelible performances coming from stars Cate Blanchett, Kevin Kline, and Louis Partridge.

The show explores themes Cuarón has long explored in his previous work: family relationships, untold narratives, and, above all else, the idea of how masculinity can wind up harming both men themselves, and the women around them.

Discussions of masculinity come up frequently in the Mexican filmmaker’s work—first in his 2001 coming-of-age film Y T Mamá También starring Diego Luna and Gael Garcia Bernal. That modern classic finds the pair as class disparate best friends Tenoch and Julio, who take a road trip with Luisa (Maribel Verdu), a woman who agrees to join when she discovers that her husband has cheated on her. The trio bond while talking about relationships and sexual experiences, and the overzealous sexuality of both Tenoch and Julio seems to be hiding an attraction they can’t speak about.

Cuarón’s 2006 dystopian film Children of Men, starring Clive Owen, finds a world where humans have been infertile for two decades and have brought society to the brink of collapse. Owen’s Theo, a former activist turned cynical government worker, is tasked to help stowaway the first pregnant woman in the world Kee (Clare-Hope Ashitey) via a money offer from his ex-wife Julian (Julianne Moore). Theo taps into his caretaking of Kee, and what he could contribute to a new society, in the wake of the loss of his son with Julian.

And 2018’s Roma, which won Cuarón his second Best Director Oscar (he first won for the space thriller Gravity), is a semi-autobiographical film that follows a Mixteco housekeeper, Cleo (Yalitza Aparicio) for an upper middle class Mexican family in the early ’70s. Cleo bonds with Sofia (Marina de Tavira) the mother of the family, about the indiscretions the men in their lives have caused them. Both of the men in question refuse to take responsibility for their actions that have irrevocably damaged the women’s lives.

Cuarón takes another look into the ways toxic masculinity can harm both men and the women around them in Disclaimer—a topic he was more than ready to discuss with Men’s Health over Zoom. The 62-year-old director got into it, bespectacled, talking passionately with his hands, about exploring masculinity in his previous work, the men of Disclaimer, and the harm of toxic masculinity.

“It’s a story where the main character is a woman, and at the end, the audience is confronted not only with a big reveal, but their own judgment. All the other characters around Catherine are silencing her; she’s constantly trying to speak and explain herself. Now, the truth she’s sitting on is difficult to articulate, so she needed time. She needed help; the help of an affectionate relationship that would be supportive. The audience is in a way silencing Catherine with their own judgment [about her secret].”

Renee Knight worked for the BBC directing arts documentaries before turning to writing. She has had television and film scripts commissioned by the BBC, Channel Four, and Capital Films In April 2013, she graduated from Faber Academy, a school sponsored by the eponymous British publisher, and known for nurturing breakthrough talent. Its alumni include S.J. Watson. Disclaimer is Renee’s first novel.

Disclaimer has a unique premise. Catherine, a successful documentary film-maker, receives a book entitled The Perfect Stranger. Turning the pages, she’s horrified to read about a day in her own life that occurred 20 years earlier, one she’s tried to forget. Intertwined with Catherine’s narrative is that of Stephen Brigstocke, an older, grieving widower who discovered among his late wife’s possessions, a manuscript that horrifies him. He has it bound into a book, and sends it to Catherine. The book contains details of her most closely guarded, terrible secret, one she’s kept hidden from her husband and son all these years. The only other person who knows what really happened, is dead; but The Perfect Stranger suggests Catherine’s secret is not buried with him.

Disclaimer has a unique concept. Can you articulate how it came to you?

I’d written an unpublished novel before this one. There was an event in my adolescence involving an old friend with whom I’ve maintained a friendship over the years. In that first book, I touched on that event, and when the manuscript was completed, it struck me my friend would recognize herself. So, I sent it to her before sending it off to my agent. While waiting to hear back from my friend, I was anxious about it, not wanting to hurt her. I kept thinking about it and the premise stayed with me: Wouldn’t it be shocking if you came across yourself in a book without any warning? One of my favorite things is going to bed at night with a good book–a time when you feel secure yet are at your most vulnerable. When I was waiting to hear back from my friend, the idea for this novel became embedded in my mind. My friend felt fine about my writing of her minor incident. As it turned out, the book wasn’t published, but the situation gave me the idea for this one.

What made you decide to use the present tense throughout major portions of the novel?

One character’s story takes place two years before the present time and I thought the present tense would provide immediacy for the reader. I kept thinking how I would feel if I were sitting in bed and came across a book about me. I tried writing in the past tense, but using the present tense seemed to fit better.

Disclaimer contains portions of The Perfect Stranger within it. In a sense, the novel-within-the novel becomes a character as well. Was that your intention?

Yes, in a way, it was. The book-within-a-book was the “missing” character. It’s the witness to an event. I found that element–the prose of The Perfect Stranger–the most straightforward to write.

In Disclaimer, you capture so very well the day-to-day life and feelings of people, both in the past and present times. Are there any novelists who’ve influenced you?

I think every book I’ve read has left its mark in some way. You can’t help but be influenced by what you read. There are writers who’ve had a direct impact on me. I particularly love the work of Lionel Shriver. I love reading Philip Roth, but I wouldn’t say he influenced my writing. I appreciate the honesty in other writers; actually, a fearlessness that’s apparent when people write.

What was the transition like going from documentary film-making to penning a novel?

The film-making was some time ago. My children are teenagers and I stopped working in television when they were quite young. When they were older, I didn’t think I could go back to television. I’d been away from it for a long time and lost the appetite for it. That’s when I started writing. So there was a bridge between the television and novel writing. In between, I tried script writing. It felt closer to what I’d been doing, namely documentaries. I then wrote some short stories, and eventually got into that first novel. The novelistic form seems to come more naturally for me than screenwriting.

What are the differences for you between script-writing and novels?

What I love about novel-writing is the interiority of it. I love really being able to get into a character’s head. I think skilled directors can do that in film, but I have much more freedom saying what I want to in prose than I would in film.



Larraín offers a unique and intimate look at the final days of Maria Callas and brings a fresh perspective to the biographical genre. He was inspired to make Maria as part of his exploration of influential women from the 20th century. After directing Jackie (2016) about Jacqueline Kennedy and Spencer (2021) about Princess Diana, Larraín saw Maria Callas as the final piece of what he calls his “accidental trilogy.”

Larraín was drawn to Callas’ story because of her legendary status as an opera singer and the dramatic arc of her life. He wanted to focus on the final days of her life, capturing the emotional depth and complexity of her character1. The opportunity to work with Angelina Jolie, who brought her dedication and talent to the role, was also a significant factor in his decision to take on the project.

By telling Callas’ story, Larraín aimed to highlight the personal struggles and triumphs of a woman who left a lasting impact on the world of music and culture.

Say Angelina Jolie: “I met Pablo Larraín many years ago and told him how much I respected him as a filmmaker and hoped to work with him one day.  He reached out to me about Maria, and he took the process of casting very seriously, which I appreciate. He really wants to make sure the artist is up for it and understands the job. I’m also a huge fan of writer Steven Knight’s work; it’s a very unusual script and construction. There’s a lot of bravery in the choices they’ve made in their storytelling, which says a lot about how capable they both are. I was happy that I was with a very serious filmmaker coming to me to do real work and expecting a lot of me and challenging me. That’s not always the case. It wasn’t just an opportunity to tell the story of Maria Callas, a woman I find interesting and care for, but it’s really to have a director who’s going to take you on a journey and is so serious about the work and tough on you. I like that he was tough on me! He’s a dream director, and I would want to work with him again and again. Also, I learned such a lot as a director myself, from watching him work.”

Angelina Jolie and Pablo Larraín during the filming of Maria

Steven Knight was also inspired to write the screenplay for Maria by his admiration for Maria Callas and her legendary status as an opera icon. He was already an opera fan and decided to delve deeper into the more remote and unknown elements of Maria’s life. Knight had the opportunity to build the screenplay around Angelina Jolie, who became attached to the project during the writing process.

He conducted extensive research and even accessed first-hand testimony from Ferrucio Mezzadri, Callas’ longtime butler. Knight and director Pablo Larraín chose to focus on Callas’ final days, finding parallels between the operas she sang and her own life. This decision helped to create a narrative that was both cathartic and reflective, allowing Maria to review her life before her passing.

Knight’s goal was to make the experience of flashing back not a torture for Maria but a cathartic replay, akin to rewinding a cassette and playing the important pieces. This approach adds depth and emotional resonance to the film, making it a compelling portrayal of the opera star’s life.

Maria follows the American-Greek soprano as she retreats to Paris after a glamorous and tumultuous life in the public eye. The film reimagines the legendary soprano in her final days as the diva reckons with her identity and life.

What made the idea of a film about Maria Callas so appealing to you?

I was very lucky to grow up going to the opera house in Santiago with my family for many years. And I really, really loved it from a young age. Now it’s funny and beautiful to think that we would see some of the operas that had made Callas so famous, even though she was no longer alive at this point. I was just in love and floating after seeing them and then we’d go back home and then my mom would say, ‘Alright son, so you saw that, this is the real thing.’ She would play Maria Callas. I grew up with this presence of this next level of singer, someone who had the voice of an angel. Then later, of course, I got to know more about her life. So after doing Jackie and Spencer, it felt like the right ending for this process of these three movies. It’s also my first movie about an artist, and it creates a different dynamic for me personally on how to connect with the character and the story.

Did you understand the life of Maria Callas as something of an opera itself?

Many of the operas Maria Callas performed in are tragedies, so the main character that she played often is dead on stage in the last scene. The narratives of those operas are very different to her life, but I found there was always a bridge of relationship between Maria Callas and the characters that she played. One of the things that I talked to Steven Knight about at the very beginning was to understand that this is a movie about someone who becomes part of the tragedies that she played on stage. There’s some sort of a hidden map in the film where the piece of music that we use, whether it’s only orchestration or with vocals in it, is related to the moment in the film. They’re not just there because they worked where they are—they’re there because they have a dramatic purpose. Opera is a form of transcendence, and it’s a form of expressing emotions that you cannot say with words.

You mention Steven Knight – you’ve collaborated again after he wrote Spencer.

When I invited him to do this, I realized Steven was also a huge opera fan, so that was a good step. I went to him and said, “I think we should make a movie about the last week of her life.” We did a lot of research on Maria’s life and the end of her life, how the interactions of the operas she sang could create parallels with her own life. So that was a good starting point. And then talking to Angelina and Steven, we all understood that it was a film about someone that was never a victim. We are talking about someone that is in control of her will and her destiny, who knows what she wants to do and how she wants to do it. Steven really understood her character and how strong she was.

What made you choose the end of Maria’s life as the period you wished to chronicle?

Maria Callas was singing all her life for audiences, for others. And her personal life was always connected to her relationships. She was always trying to please someone, a relationship, a family member or a friend. And now in this film, at the end of her life, she decides to do it for herself. She’s going to try to sing for herself. So, this a movie about someone who is looking to find her own voice and understand her identity. It’s a celebration of her life.

Do you see Maria Callas as a survivor, given her tumultuous personal life?

I think she struggled a lot, and she had very sad moments. But there are a few biographies and there’s a certain number of things on which they all agree, and that is that Maria Callas was someone who was only truly happy when she was on stage. That was the way she fulfilled her heart and her soul. Yet she’s someone who at some point realizes that her voice is not going to be strong enough to be able to perform at the highest level, the only level she could ever accept. The film describes the difficulties of someone who has lost that element that not only made her famous, but also that created who she was in all human levels. But we’re not looking at her with pity, and I don’t think the audience should feel sorry for her. I think the audience will understand who she was and why we did it in the way we did with such a wonderful performance like Angelina has given.

What made Angeline Jolie the right actor to play Maria Callas?

There’s something about people like Maria Callas, but also Angelina Jolie—these women have a physical presence on a stage, in front of a camera or even just in a room. You feel the enormous amount of humanity they carry. There was no struggle for Angie to be Maria Callas and carry that weight, as she already has it. And then she also took preparing for the role so seriously – six or seven months of it. I said to her, “The best preparation you can have for this character, it is actually a process of getting to sing.” Then there’s also a level of fragility and sensibility and intelligence that Angelina has that can really make a difference. You feel that she disappears into the role in a way that you can enter the film and quickly forget that you’re looking at Angie. It requires a very powerful and immense talent, obviously, but also someone that has the dedication, the discipline and the vulnerability to do that.

Can you describe the process Angelina Jolie undertook to learn to sing opera?

This was the challenge, to make a movie about Maria Callas with her own voice, because why would you make it without it? It’s an essential element, of course. Angie had different stages in her preparation. At the start, it was with opera singers and coaches who helped her have the right posture, breathing, movement and the accent. She was singing very specific operas or arias, and most of them are in Italian. You have to sing it properly and get to the right pitches, and that means being able to follow the melody and sing it properly. We recorded her voice, her breathing, everything. There are moments in the film when you hear Maria Callas in her prime, when most of what you hear is Callas, but there’s always a fragment of Angelina. And then sometimes, it’s more Angelina than Callas. It’s a multilayered track that has different voices. So, Angelina really had to go for it—not only because it made the movie more possible in terms of the illusion, but to also create the right process for her as an actress.

You never considered just using Maria Callas’s voice?

I think it’s about being honest with the character and the process. To me, it’s the wrong path to take when there’s a form of cynicism in the performance, where the act is just trying to look right, get to the note and move the mouth in sync, etc., but the actor has never really experienced it in the right way. It could feel dangerously fake, not in the technicality of the singing, but also in the way that she inhabits the character. I think there’s an honesty in Angelina’s voice that you can feel very transparently.

Can you describe the process of capturing Angelina Jolie’s voice?

The only way to do it was she had to really sing the music properly, be in sync with Callas, and sing out loud. So then when you bring the Callas voice in the mixing, it would match organically. There isn’t a miracle kind of technology here. It’s really about Angelina’s work and the way that we were able to record that and to capture the sound. Angelina was absolutely exposed to singing, sometimes in front of 200 people, or 500 extras and she had to sing out loud by herself, and all people would hear was Angie’s voice alone. I would have my headphones on, I would listen to the orchestration, a little bit of Callas, and a little bit of Angie, so I was sort of mixing live. But she was metaphorically naked, voice wise, in front of hundreds of people. At the beginning, it was hard for her. She was almost apologizing to the crew, but everyone was saying, “Come on, it’s amazing. Just keep going.” Everyone loved her because she was not only doing well, but she was also so brave.

Aristotle Onassis and JFK are characters that are connecting figures to your previous film, Jackie. Are the films linked?

Well, somehow, they are, because they were people who were beloved when they were alive and remain icons today. Maria and Jackie were very strong women that conducted life the way that they wanted, and I include Diana Spencer in this, and they had natural interactions and connections, not only through Onassis or JFK, but also mostly through the kind of world that they were living in and they related to it. It’s a world that was very masculine, and they needed to struggle to find their own space—and they did it.

Did you have a greater understanding of Maria in that aspect because of the study that you’d done for Jackie as well?

Yes, of course. Maria says to JFK when they meet, she says something like, “We are very lucky angels who belong to this very specific and fortunate group of people” who can do anything they like. They are wealthy. They’re famous. They have an incredible place in this world, but they can’t get away from it. The fact that they all belong to that group doesn’t make them friends, but they do belong to the same group of people. That generation of people that saw the world with privilege, but also with authenticity and will.

Aside from music, was Aristotle Onassis the great love of Maria Callas’s life?

I think so. I think Aristotle Onassis was the love of her life, and I think they had different moments through their relationship. They were very often close in the 70s after he split with Jackie, but it was somehow a toxic relationship, I think, as well. She could just disconnect with the world and let everything be under his control. I do think there were moments of the relationship that weren’t very healthy. But I also think they came to a peaceful understanding of who they were as individuals and as a couple by the end of their lives.

Do you think that some of the harsh public criticism she faced was because she was a woman in the spotlight?

Yes, it’s the fact that she was a woman, and she had a temper, and she wouldn’t tolerate unprofessional things. She was criticized because of that. You would never say that about a man. Onassis had a huge temper, but that’s supposed to be okay because he was a man. Maria was a strong woman in times where that wasn’t really tolerated, where she would just say what she thought. She was outspoken, she had no fear, and she would just say what she wanted to do and perform in the best way in her own capacity, the maximum capacity, and became an icon. People were just not used to that. But the paradox of that is that by her being criticized, she became who she was. She became this inaccessible diva, and it created a hunger for her music and for her private life. So, she was on the covers of gossip magazines and opera magazines for four decades. It was absolutely unusual.

You mentioned you’ve always been an opera fan. Would you like to see Maria create greater curiosity to experience opera?

Opera started in the 16th century; they were folk music pieces that were sung in Italian, sometimes from the oral tradition. Then they became connected to popular stories at the time and were performed on stage. So, it started as a very popular form of art that was for everyone. Over the years, it became a more sophisticated kind of art. But opera singers like Enrico Caruso, Maria Callas and Luciano Pavarotti, and perhaps now Andrea Bocelli, these are figureheads who really worked to put opera back in its rightful place. It should be a very popular art form that should be accessible to the public. I think Callas was criticized by some when she made opera so popular. The aim of Maria is to have that operatic sensibility in a way that is popular. All the pieces in the film are beautiful and broad and have an ability to reach anyone.

“You are born an artist, or you are not. And you stay an artist, dear, even if your voice is less of a firework. The artist is always there.” Maria Callas

Maria Callas was one of the greatest opera singers of the 20th century. The American-born Greek soprano garnered widespread critical acclaim and international fanfare, rising from modest circumstances to grace the stages of the world’s most illustrious opera houses in the 1950s and ’60s. She was an icon hailed as “La Callas” or “La Divina” (“the divine one”), revered for her astonishing vocal power, her technical agility, and the incredible passion she brought to her every role.

Born to Greek immigrants in New York on Dec. 2, 1923, Callas’s early homelife was upended by her father’s infidelity and her parents’ subsequent divorce. At the age of 13, Maria returned to Athens with her mother and sister and enrolled in the Athens Conservatory as a soprano under the tutelage of opera singer Elvira de Hidalgo. At 17, she made her professional debut with a modest role in the Royal Opera of Athens’ production of Franz von Suppé’s Boccaccio.

Only one year later, Callas won the title role in the company’s production of Puccini’s Tosca, playing a 19th-century Roman prima donna driven to a tragic death by the machinations of a powerful man who desires her. It was a part with which Callas would come to be strongly associated throughout her career.

Her confidence bolstered by her early success, Callas auditioned at New York’s prestigious Metropolitan Opera and was offered a contract to sing supporting roles. She declined, believing that the position was beneath her, and instead moved to Italy where she starred in a 1947’s La Gioconda at the Verona Arena. There, Callas met her husband, the wealthy industrialist Giovanni Meneghini. The pair married in 1949, with Meneghini taking over the singer’s business affairs as Callas’s manager. The same year as Callas’ breakout performance at La Fenice in Venice as Elvira in Il Puritani.

As Callas traveled the world, her reputation and stature grew with every performance. In 1952, she made her Covent Garden debut in Norma, starring in Bellini’s tragedy as the titular priestess, a doomed woman at the center of a love triangle during the Roman occupation of Gaul—a role that arguably became her true signature. Two years later, Callas performed Norma at the Lyric Opera of Chicago, marking her American debut.

In 1955, she returned to Europe for a career-defining performance as Verdi’s doomed heroine Violetta in La Traviata at Milan’s La Scala. The following year, she finally took the stage in Norma at the Met in New York, and for her appearance, she demanded a salary equal to the male singers and conductor Von Karajan, shocking the music world.

Callas’s exacting standards courted controversy, and they soon took a toll. Her voice became less reliable while Maria was still in her 30s, a time when sopranos typically are in their prime. While still unclear why she began to lose her voice, many attributed it to her weight loss at the time, causing scrutiny. Cancellations became more frequent for the star as she became too sick to perform, increasing the extreme backlash. Yet when she did take the stage, she continued to deliver magnificent performances until formally retiring in the 1960s. “I will always be as difficult as necessary to achieve the best,” she was quoted as saying.

At 41, Callas made her final operatic appearance on July 5, 1965, starring in Tosca at London’s Covent Garden, but Callas’ time in the limelight wasn’t over. Having parted ways with her husband in 1959, she’d struck up a torrid love affair with shipping magnate Aristotle Onassis, which became the subject of great public fascination, as did her status as a fashion icon. She did continue to do concert tours, starred in Pier Paolo Pasolini’s 1969 film Medea and conducted master classes at the Juilliard School, before moving to Paris in the mid-1970s and fading from view.

She died on Sept. 16, 1977, from a sudden heart attack at the age of 53.

Callas is remembered as an unparalleled artist and a groundbreaking presence in the world of opera, though others have painted her as a tragic figure, a woman whose own life mirrored the art form she loved. Some have even outrageously suggested she died from heartbreak in the wake of Onassis’s 1968 marriage to former U.S. First Lady Jacqueline Kennedy—it was opera that was always her true love.

Pablo Larraín (Director, Producer) is one of the most celebrated Chilean filmmakers and producers working today. He is a founding partner of Fabula Producciones, a company dedicated to film and television production and one of the most prolific production houses in Latin America.

His films include No, starring Gael García Bernal, which was nominated for the Academy Award® for Best International Feature in 2013; El Club, which won the Silver Bear at the Berlin International Film Festival in 2015 and was nominated for the Golden Globe Award for Best International Feature Film; Jackie, starring Natalie Portman; and Spencer, starring Kristen Stewart, both of whom were nominated for Best Actress at the Academy Awards® for their performances in the films. His film El Conde won the Best Screenplay Award at the 2023 Venice Film Festival and was nominated for an Academy Award® for Best Cinematography by Edward Lachman.

Through Fabula, he has produced numerous films and television series such as A Fantastic Woman, winner of the Academy Award® for Best Foreign Language Film in 2018; the documentary, The Eternal Memory, which was nominated for the Academy Award® for Best Documentary Feature and won the Goya Award for Best Ibero American Film. The television series include Midnight Family (Apple TV), El Dentista (ViX) and Baby Bandito (Netflix), as well as the documentary The Doomsday Cult of Antares de la Luz (Netflix).

Steven Knight is a leading British screenwriter, producer and director. He is the creator, executive producer and writer of BAFTA-winning television series Peaky Blinders, starring Cillian Murphy, as well as the hit series Taboo, SAS Rogue Heroes, This Town, The Veil and the Netflix limited series All the Light We Cannot See, which earned multiple nominations including for Best Limited Series, Anthology Series or Motion Picture Made for Television at the 2024 Golden Globes. Knight also co-created international game show phenomenon Who Wants to Be a Millionaire?

His first penned film, Dirty Pretty Things, was directed by Stephen Frears and opened the London Film Festival. It won four BIFAs, the 2005 Humanitas Prize for Film and earned an Academy Award® nomination for Best Original Screenplay, among other honors. Further screenplays for film include Eastern Promises and Spencer, and three that he also directed: Hummingbird, Locke and Serenity.

Knight is Co-Director of Digbeth Loc. Studios, a new TV and Film studio complex, which officially launched in Birmingham – his home city – in 2023. Beyond the screen, Knight has published four novels: The Movie House, Alphabet City, Out of the Blue and The Last Words of Will Wolfkin. He was also part of the creative team responsible for the opening ceremony of the Birmingham 2022 Commonwealth Games.

Knight received a CBE in the New Year’s Honours List 2020 for services to Drama, Entertainment and the community of Birmingham. He has the highest honor from the Royal Television Society’s Midlands Centre – the Baird Medal – and in 2023 the Royal Television Society awarded Steven a Fellowship for his contribution to the UK television industry. He holds an Honorary Doctorate from the University of Worcester, an Honorary Degree of Doctor from Birmingham City University and an Honorary Fellowship at UCL.

Upcoming projects include Disney+ series A Thousand Blows, starring Stephen Graham, and theNetflix feature film installment of Peaky Blinders.


Vaughn Stein directed Cellar Door from a screenplay by Sam Scott and Lori Evans Taylor, exploring how deeply buried issues and unspoken desires can manifest into palpable fears and tensions, particularly within intimate relationships. They aimed to create an atmospheric and thought-provoking narrative that keeps audiences guessing while delving into the darker aspects of human nature.

They aimed to create an atmospheric and thought-provoking narrative that keeps audiences guessing while delving into the darker aspects of human nature.

The story revolves around Sera and John, who move into a dream home with an unusual condition—they must never open the cellar door. This enigmatic setup immediately captures interest and sets the tone for the mystery to unfold.

The film tackles the emotional weight of loss and the lengths people go to for a fresh start, making it a powerful narrative that resonates with many, delving into themes of sacrifice, pride, and the unknown’s impact on personal relationships. It explores how secrets and suppressed issues can manifest and strain relationships, offering a thought-provoking viewing experience.

Featuring cinematography by Vittorio Storaro, the film’s visual storytelling enhances its suspenseful atmosphere. The mystery surrounding the cellar door keeps viewers on the edge of their seats as they uncover hidden secrets and unexpected plot developments.

The story concept was developed by Sam Scott and Lori Evans Taylor, who jointly wrote the screenplay. Stein came on board to bring the story to life, infusing it with his unique directorial vision and style. His expertise in creating immersive, atmospheric narratives was essential in translating the screenplay’s suspenseful and psychological elements to the screen. Stein’s attention to detail and collaborative approach helped shape the film’s visual and emotional tone, ensuring each scene resonated with the intended impact. By working closely with the cast and crew, Stein navigated the challenges of production, harnessing their talents to deliver a film that captivates and thrills audiences.

Stein’s approach involved a blend of neo-noir and intense drama, ensuring that the film’s visual and emotional tones aligned perfectly with the story’s themes. He meticulously selected key actors—Jordana Brewster and Scott Speedman, among others—to embody the complex characters, bringing depth and authenticity to their performances.

Stein worked with production designers Mark Kelly and Natasa Paulberg to create sets that not only looked authentic but also contributed to the film’s suspenseful tone. The titular cellar door, in particular, was crafted to be a haunting symbol within the story. Understanding the vital role of sound in building tension, Stein worked closely with the sound design team and composers to create an auditory experience that would keep audiences on edge: Alex Parsons (Lead Sound Designer), Rebecca Townsend was the Sound Engineer who ensured the seamless integration of various sound elements, and Folley Artist Michael Collins: enhanced the film’s realism with expertly crafted sound effects.

Stein was heavily involved in the editing process with editor Michael Merriman, ensuring that the pacing maintained the suspense and that every scene served the story’s psychological depth.

Like many films, Cellar Door faced budgetary constraints, but Stein’s innovative solutions and collaborative team spirit enabled them to maximize resources without compromising quality. With tight shooting schedules, Stein kept the team motivated and efficient, ensuring that every shot was completed on time while still maintaining the high cinematic standards.

Through his direction, Stein ensured that the film didn’t just thrill audiences but also resonated emotionally, leaving a lasting impact. The final product was a testament to Stein’s vision—an engaging thriller that kept audiences guessing and ultimately proved to be a profound exploration of human fears and relationships.

  • The Others is a haunting tale where a mother and her children live in a secluded mansion and encounter mysterious events. This gothic supernatural psychological horror is directed, written, and scored by Alejandro Amenábar. Set in 1945, it tells the story of Grace Stewart, a woman living in a remote country house with her two photosensitive children who begin experiencing supernatural phenomena.
  • Written and directed by M. Night Shyamalan, the gripping psychological thriller The Sixth Sense explores themes of trauma, guilt, and redemption, following Dr. Malcolm Crowe (Bruce Willis), a child psychologist, who begins treating a young boy named Cole Sear (Haley Joel Osment) who claims he can see and communicate with the dead. Made on a $40 million budget, the film grossed over $672 million worldwide, becoming the second-highest-grossing film of 1999.
  • A U.S. Marshal investigates a psychiatric facility on a remote island, uncovering dark secrets in Shutter Island. This 2010 neo-noir psychological thriller was directed by Martin Scorsese and based on the 2003 novel by Dennis Lehane. The story is set in 1954 and follows U.S. Marshal (Leonardo DiCaprio) and his partner (Mark Ruffalo) as they investigate the disappearance of a patient from the Ashecliffe Hospital for the Criminally Insane on Shutter Island. As they delve deeper into the investigation, they encounter disturbing secrets, psychological manipulation, and haunting memories from Teddy’s past.
  • The Orphanage (original title: El Orfanato) is a haunting and emotional thriller about a woman who returns to her childhood home, which was once an orphanage, and strange events begin to unfold. This 2007 Spanish gothic horror film was directed by J.A. Bayona and produced by Guillermo del Toro. It’s celebrated for its eerie atmosphere, emotional depth, and compelling story. The film follows Laura, who returns with her family to the orphanage where she grew up. Laura plans to reopen the orphanage as a facility for disabled children. However, shortly after moving in, her son Simón starts interacting with an invisible friend, and mysterious events begin to unfold. When Simón goes missing, Laura must confront the dark secrets of the orphanage and her own past to find him.

These films resonate deeply with audiences due to a combination of compelling narratives, strong character development, and the ways they invoke emotional and psychological responses.

The protagonists in these films are often relatable, enduring personal struggles and facing fears or moral dilemmas. Strong character arcs show growth and revelation adds depth as characters undergo significant psychological journeys that keep audiences invested.

The films use their settings to enhance the mood and tension. These films masterfully build suspense through atmospheric cinematography, sound design, and careful pacing. The fear of the unknown and unexpected plot twists keep viewers on edge.

They tackle universal themes like loss, identity, guilt, and redemption, which resonate on a deeper emotional level. The tension built up through storytelling often leads to a cathartic release, leaving audiences with a sense of resolution. Even in horror, this emotional journey can be satisfying and memorable.



Vaughn Stein is a talented British director and writer known for his distinctive style and work in various genres. With a background working as an assistant director on films like Snow White and the Huntsman (2012) and World War Z (2013), Stein has honed his skills in visual storytelling. He is known for his meticulous attention to detail and ability to craft immersive cinematic worlds. He worked on notable films like Terminal (2018) and Inheritance (2020), showcasing his ability to create suspenseful narratives with complex characters. His captivating visual style often incorporates elements of neo-noir and surrealism.

Screenwriters Sam Scott and Lori Evans Taylor bring a wealth of experience to their writing.

Sam Scott is an acclaimed author known for his rich and engaging narratives. His unique style and storytelling prowess make him a notable figure in modern literature. Some of his bestselling books on Goodreads include: The Salvation of Eli Ussher, Brand Justice and Justice at Jericho Springs.

Lori Evans Taylor is an American producer and writer celebrated for her work on TV series and films. Notable projects she has been involved in include the TV Series‘s Lucky Dog, Wicked Wicked Games, and 1000 Ways to Die.


REVIEW: A Complete Unknown offers a comprehensive look at Dylan’s early career and his lasting legacy. It captures a transformative period in music history, particularly the 1960s, when Bob Dylan’s shift from folk to rock had a profound impact on the genre. The film highlights Dylan’s role in shaping the cultural landscape of the time, influencing not just music but also social and political movements. It showcases Dylan’s evolution as an artist, providing insight into his creative process and the courage it took to defy expectations and pursue his artistic vision. Timothée Chalamet’s performance as Bob Dylan has been widely praised. Critics have noted that he “channels Dylan in looks, sound, and attitude” without resorting to mimicry. Chalamet’s portrayal captures Dylan’s “slouched posture, mumbling voice, and stoic attitude”, making it feel like Dylan himself is on screen. James Mangold’s direction has been praised for its authenticity and emotional depth.

Mangold recognized that Bob Dylan’s story required a unique approach. Given Dylan’s enigmatic and transformative persona, a conventional biopic would indeed fall short. With A Complete Unknown, which Mangold co-wrote with Jay Cocks, he brings his extensive experience from 19 diverse films. His ability to traverse various cinematic genres while maintaining a strong humanist touch makes him the right director to capture the essence of Dylan’s journey.

What interested Mangold about this time in Dylan’s life were the personal questions the material raised – notions of inherent genius and talent which certain artists are simply born with – and the blessings and burdens of that talent which can, at the same time, make you wildly popular yet utterrly alone.

The Complete Unknown offers a fascinating exploration of Bob Dylan’s rise to stardom amid the cultural upheavals of the 1960s. The film captures the essence of a young Dylan as he navigates the burgeoning folk music movement, interacts with influential figures, and transitions from an unknown vagabond to a rock-and-roll icon. James Mangold’s vision delved into Dylan’s relationships, his electrifying musical evolution, and the turbulent times that shaped his ascent.

The backdrop of events like the Cold War, the Cuban Missile Crisis, and the Civil Rights Movement provides a powerful context for Dylan’s journey, highlighting the intersection of music, celebrity, and culture. With Mangold’s previous successes in the music biopic genre, partculalry his 2005 film Walk the Line. It’s no surprise that he brings a unique and humanist perspective to Dylan’s story, avoiding the conventional biopic approach.

The early 1960s in the United States was indeed a time of significant transformation. The nation was grappling with various social, political, and cultural changes. Anti-war and civil rights activism were at the forefront of this period. The arts scene, especially in lower Manhattan, was thriving with modern jazz by Miles Davis, the daring comedy of Lenny Bruce, and the pop art movement led by Andy Warhol’s Factory Studio.

Within this vibrant environment, the folk music movement, spearheaded by figures like Woody Guthrie and Pete Seeger, was gaining momentum. Young Bob Dylan arrived in January 1961, guitar in hand, ready to make his mark. He was embraced by a movement that unknowingly needed a leader, setting the stage for his rise to fame.

Timothée Chalamet in A COMPLETE UNKNOWN. © 2024 Searchlight Pictures All Rights Reserved. Credit: James Mangold

Dylan’s journey from an unknown musician to a rock-and-roll icon reflects the broader societal shifts and artistic explorations of the era. This portrayal offers a nuanced understanding of Dylan’s ascent and the cultural landscape that shaped his music and legacy. It’s a fascinating exploration of a transformative period in American history and the arts. Dylan’s influence and enigmatic persona, coupled with his refusal to conform to artistic norms, make this film a captivating portrayal of an iconic figure whose timeless songs continue to resonate across generations.

Dylan’s ascent indeed came at a pivotal moment in history, with the Cold War casting a shadow over global affairs. The Cuban Missile Crisis brought the world to the brink of catastrophe, followed by the tragic assassination of JFK in 1963, which deeply impacted the nation. Amidst this turmoil, the Civil Rights Movement gained momentum, exemplified by the 1963 March on Washington, where Dylan performed just before Martin Luther King’s iconic “I Have a Dream” speech.

This period marked a clash between old norms and emerging ideals, and while many took to the streets, Dylan channeled his beliefs into music that resonated with a generation. Over the next six decades, his status as an iconic figure solidified, with his timeless songs and lyrics being reprised by artists across genres.

Despite his influence, Dylan has remained an enigma, refusing to be confined by artistic norms. His ability to defy expectations and continually reinvent himself has kept him relevant and intriguing to the culture at large.

Mangold’s A Complete Unknown captures this multifaceted journey, portraying a time of intense social and political upheaval and the rise of a musical legend who has left an indelible mark on history. While evoking these specific cultural moments in Bob Dylan’s life, A Complete Unknown aims to have universal appeal as well. Like Dylan himself, its power lies in connecting across generations.

Mangold felt fortunate to spend time speaking with Dylan throughout the screenwriting and pre-production process. One thing that became clear to him was the burden of what to do with your dream once you’ve manifested it.

“You can be really good at writing songs and you can be really good at recording them, singing them, and playing them,” he says. “But that doesn’t make you necessarily good or receptive to what stardom or fame brings, or the burdens of putting a shine on and being available to millions of people who love you, hate you, resent you, or have expectations for you.”

For Chalamet, it was an opportunity to study and absorb one of the most consequential figures of all time, and to perhaps even leverage his own connection with today’s audience to expand that imprint all the more.

“Lots of things are inspired by Bob without people really knowing about it,” Chalamet says. “So, this is like a humble entreaty to create a bridge to Bob Dylan, for not only a younger audience but for audiences that don’t know him.”

Director James Mangold and Timothée Chalamet on the set of A COMPLETE UNKNOWN. © 2024 Searchlight Pictures All Rights Reserved.

Producer Heineman adds that while a younger audience might not be as familiar with Dylan as an older audience, they can definitely be galvanized by the tale of a self-made success story. Dylan’s lyrics resonate as much now as when they were written in the 60s and are often covered and performed by artists inspired by his timeless songwriting.

“It’s not just about Bob Dylan,” Heineman says. “It’s about the birth of an artist. It’s about someone, as Bob would say, creating themselves, and I think it’s universally inspirational to people that if you have a dream, you can manifest it.”

To Mangold’s early point, A Complete Unknown represents just a sliver of Bob Dylan’s life and times. But it’s a thematically resonant sliver that gives insight into how a star was born and how a culture shifted. Dylan’s controversial set at the 1965 Newport Folk Festival incinerated barriers between genres and generations. It popularized folk rock in an instant and marked a stark divide between yesterday and tomorrow. His August release that year, Highway 61 Revisited, featuring the anthem of the era “Like a Rolling Stone,” went on to be counted among the greatest albums of all time. In 2023, he released his 40th studio album, showing no signs of fading from the rock-and-roll culture he helped to create.

The journey began with Rosen optioning Elijah Wald’s 2015 book Dylan Goes Electric!: Newport, Seeger, Dylan, and the Night That Split the Sixties. This book captures the significant moment in 1965 when Dylan shocked the world by performing with an electric band at the Newport Folk Festival.

Collaborating with Oscar-nominated screenwriter Jay Cocks, they adapted Wald’s book, creating a foundation for this cinematic project. In 2018, Searchlight Pictures and a creative team, including James Mangold, Timothée Chalamet, Fred Berger, Alex Heineman, Bob Bookman, Peter Jaysen, Alan Gasmer, and Rosen, came together to bring Dylan’s iconic story to the screen.

This collaborative effort promises to provide a deep, nuanced look into a pivotal moment in music history, showcasing Dylan’s groundbreaking shift to electric music and the cultural shockwaves it created.

Director James Mangold and Timothée Chalamet on the set of A COMPLETE UNKNOWN. Photo by Macall Polay, Courtesy of Searchlight Pictures. © 2024 Searchlight Pictures All Rights Reserved.

Chalamet, fresh off his critically acclaimed roles in Call Me by Your Name and Dune, brings a dynamic presence to the project. Although he initially knew little about Dylan beyond his iconic status, Chalamet was drawn to the role because of the complexity and depth of Dylan’s character.

Mangold, recognizing Chalamet’s intuitive acting skills and charismatic presence, saw the potential for a powerful creative partnership. This synergy between director and actor promises to deliver a nuanced and engaging portrayal of Bob Dylan, capturing the essence of the musician’s journey and the turbulent times that shaped his rise to fame.

Chalamet’s commitment to understanding and embodying Dylan’s multifaceted persona, combined with Mangold’s vision and experience, sets the stage for a compelling and memorable film. It will be fascinating to see how Chalamet interprets and brings to life the enigmatic and influential figure of Bob Dylan.

“There are two versions of a Bob Dylan movie you could make,” Chalamet says. “You’ve got a version that is a behavioral master class on a guy who didn’t really make eye contact that ofen and the mystery that surrounded him, or you do something that could be disingenuous to his life and work, a greatest-hits compilation that sort of ignores the fact that his career wasn’t a straight trajectory. Jim was quick to walk a fine line between demystifying Bob and not doing a sycophantic thing.”

The COVID-19 pandemic and subsequent industry strikes in 2020 caused delays, but this period allowed Chalamet to delve deeper into his role. The extended preparation time helped him understand Dylan’s character and improve his proficiency as a musician and singer. This immersion in the role, as Chalamet describes, led him to fully embrace the persona of Bob Dylan.

“Once I was in it, there was no coming back,” Chalamet says. “I was fully in the Church of Bob.”

Chalamet’s dedication and Mangold’s vision promise a compelling and nuanced portrayal of Dylan, capturing the essence of the musician’s enigmatic and influential journey. He had his work cut out for him.

For Mangold, there was no version of A Complete Unknown that didn’t feature actors doing their own singing. Mangold built off the rapturous response to the real vocals of Joaquin Phoenix and Reese Witherspoon as Johnny and June Carter Cash in Walk the Line as performers whose on-screen portrayals were steeped in the authenticity of live recordings.

Timothée Chalamet in A COMPLETE UNKNOWN. © 2024 Searchlight Pictures All Rights Reserved.

Mangold’s vision for these kinds of films is to avoid falling victim to facsimile while striving toward something more transcendent. He knew that as a spectator, feeling could best come through live performance in the way that Dylan himself won over his fans for decades on the road.

Says Mangold: “I didn’t want Timmy to disappear. It’s a performance. I wanted Timmy to bring who he is
to Bob. If it becomes just a series of mannerisms and vocal impressions, there is no one really there.”

Adds producer Heineman, “As Jim would put it, you have to create your own version of the character. You
can’t just do mimicry or try to create exactly who the person is. So, while Timothée studied Bob tremendously and obviously learned the music and everything about the world that Bob lived in, he also created his own version of Bob.”

Chalamet dedicated himself to intense musical study and training for five years, which allowed him to not
only hone in on the required skillset, but to explore Dylan’s songs and make them his own. Meanwhile, he and celebrated voice coach Eric Vetro watched hours of Dylan’s performances and interviews, paying close a`enaon to small details like his posture and how that influenced his voice.

“If you really want to capture the essence of Bob, it’s very mula-layered,” Vetro says. “He has a lot of different qualiaes to his voice. It’s sort of like a wine. And Timothée has a really good ear. He can grab onto an idea really fast and he knows how to execute it as an actor.”

The actor’s aptitude also stretched to Dylan’s chosen instrument, according to guitar coach Larry Saltzman. Throughout the years of production delays, Chalamet mastered both the guitar and harmonica. His portrayal includes live performances of Dylan’s iconic songs, adding depth and authenticity to the film.

“When learning guitar, there’s a rhythmic thing that has to happen, and I believe that people are either born with this or they’re not,” Saltzman says. “And it’s so important when you watch Bob play because he’s an orchestra of one. I would show a song to Timmy and I would explain to him, ‘Don’t get nervous if this takes you a minute. This is difficult.’ But somehow, within 90 seconds, the guy was doing it. He had really inhabited the person and musician that Dylan is.”

The production of A Complete Unknown had a significant advantage in managing the chaos of live, improvisational musical performances, thanks to the expertise of production mixer Tod A. Maitland. With five Academy Award® nominations to his name, Maitland has pioneered and refined the on-set recording process for live musical performances. His experience includes working on iconic films like Oliver Stone’s The Doors and Steven Spielberg’s West Side Story.

Maitland’s innovative techniques and deep understanding of capturing live music on set ensured that the film’s musical elements were recorded with precision and authenticity. His expertise allowed the production to navigate the complexities of live performances and deliver a rich, immersive auditory experience for the audience.

With Maitland’s contributions, A Complete Unknown promises not only a compelling narrative and visual experience but also a soundscape that authentically represents the dynamic energy of Bob Dylan’s music and the era it emerged from. This attention to detail in the sound department further enhances the film’s overall impact.

Timothée Chalamet in A COMPLETE UNKNOWN. © 2024 Searchlight Pictures All Rights Reserved.

Every well-worn classic and every chosen lyric is part of Mangold’s narrative fabric. Fluidity was key, and Chalamet’s prowess in this regard was uncanny, according to music producer Nick Baxter.

“We knew that we needed to capture a lot of this stuff on set and have our actors prepared to do it,” Baxter says. “The fact that Timmy learned these songs and can perform them under all different circumstances, for example scenes where he’s writing, or showing someone a song for the first time, or performing, is incredible. He’s not beholden to anything. He can stop, walk away from the mic, mess up a lyric, add a harmonica solo, and he can go up and down in tempo and pace the song differently. I don’t know if this movie would really work without him being able to do that.”

Mangold’s biggest takeaway when he first approached the material was its fable-like qualities. In his vision, Young Dylan had a sense of his own destiny when he travelled in 1961 to Manhattan with nothing in his pockets and a guitar on his back to meet his hero, Woody Guthrie.

“We didn’t want to draw conjecture that would have demystified the way life was for Bob in Minnesota,”
Chalamet says. “That’s why I love the title of the movie, The Complete Unknown, Some stuff is left to the imagination, because Bob’s ethos as an artist is the myth of self-creation.”

In the film, Woody Guthrie is portrayed as a revered figure in the folk music scene, almost like a divine presence. Timothée Chalamet describes Guthrie as the “dying god” encountered at the beginning of Dylan’s journey. Guthrie, suffering from Huntington’s disease, symbolizes the old guard of folk music.

Meanwhile, Pete Seeger, Guthrie’s close friend, is positioned to take over the leadership of the folk movement. However, Bob Dylan, through a combination of talent, intuition, and determination, eventually rises to prominence and takes the reins of the movement. This dynamic shift highlights Dylan’s impact and his ability to shape the direction of folk music during a transformative period.

Mangold’s A Complete Unknown captures this transition beautifully, showcasing the passing of the torch from Guthrie to Dylan, and the profound influence Dylan had on the folk music scene and beyond. It’s an intriguing portrayal of how one individual’s determination and unique voice can redefine an entire movement.

Scoot McNairy in A COMPLETE UNKNOWN.© 2024 Searchlight Pictures All Rights Reserved.

Scoot McNairy, who plays the role of Guthrie, was aware that when we meet Guthrie in the film, he had lost his ability to speak due to the progression of his neurodegeneraave condiaon. “It is one of the hardest roles that I’ve ever played,” he says. “You’re trying to act without all the tools that you’re really used to. Your mannerisms, your tone, your physicality, all of that is taken away from you. The only thing you have to speak with is your eyes.”

Edward Norton in A COMPLETE UNKNOWN.© 2024 Searchlight Pictures All Rights Reserved.

For Edward Norton, the opportunity to learn and play Seeger’s banjo-bound music was a huge hook in and of itself. He’s an actor drawn to those kinds of rich and challenging tasks. He was drawn, as was Chalamet, to the chance to engage a new generation with Seeger and Dylan’s contributions to the cultural fabric. Theirs remains one of the most consequential partnerships in music history, all the more so for how they grew apart, a considerable narrative thread in A Complete Unknown.

“There’s something really interesting to me about the evolution of their alliance,” Norton says. “The reasons you might admire Bob Dylan and Pete Seeger can be divergent without diminishing either one. What’s interesting about their relationship has to do with the way that people can cross paths, be on the same path and then diverge without judgment. There’s so much polarization today, and this relationship is ultimately about finding empathy and being able to understand where someone is coming from.”

Timothée Chalamet and Elle Fanning in A COMPLETE UNKNOWN.© 2024 Searchlight Pictures All Rights Reserved.

Bob Dylan’s activist spirit indeed evolved over time, and the film highlights two significant relationships that played a crucial role in this transformation. Sylvie Russo, played by Elle Fanning, a character representing the real-life Suze Rotolo, is portrayed as a forthright artist and freedom fighter. Rotolo’s influence on Dylan was profound, both personally and politically, as she was deeply involved in the civil rights movement.

Timothée Chalamet and Monica Barbaro © 2024 Searchlight Pictures All Rights Reserved.

Additionally, the film features Joan Baez, the renowned singer and activist, who had a significant impact on Dylan’s career and activism, and is played by Monica Barbaro. Baez and Dylan shared a close professional and personal relationship, and she played a key role in introducing him to a wider audience and supporting his burgeoning activism.

Through these relationships, Dylan’s activist spirit was nurtured and awakened, contributing to his evolution as an artist who used his music to voice his beliefs and ignite a generation. Mangold’s A Complete Unknown seems to capture the essence of these pivotal connections, showcasing how they helped shape Dylan’s journey and his legacy as an influential figure in music and social activism.

Rounding out the film’s trio of artistic influences on Dylan’s journey is the Man in Black himself, Johnny Cash. Played by actor Boyd Holbrook, Cash – the subject of Mangold’s 2005 film Walk the Line – comes to represent an endorsement of Dylan’s rebellion – and a partner in his progress. “Make some noise, B-D. Track some mud on the carpet,” as Cash encourages him in the film

Boyd Holbroo and Timothée Chalamet © 2024 Searchlight Pictures All Rights Reserved.

Early-1960s New York was a wonderland blossoming with artistic and Boheme energy that Mangold was keen on resurrecting for the screen.

“Jim imagined a textured movie that was grity and grimy with peeling plaster and decaying walls and rust and soot and cigaree butts and trash,” says Mangold’s production designer of the last decade, François Audouy. “Modern day New York has a more antiseptic sort of quality now though. It’s been sandblasted and cleaned up, we actually found that texture and these fixed-in layers became a really big asset for us. It turns out that the other side of the Hudson River looks more like New York than New York does now.”

It’s fascinating to see how meticulous the visual design of A Complete Unknown is. François Audouy’s extensive look-book, filled with 200 pages of inspirational images and photographs, provides a rich visual foundation for the film. Sharing this with Phedon Papamichael, Mangold’s longtime cinematographer, ensures a cohesive vision.

Don Hunstein’s iconic photography, especially the session with Dylan and Suze Rotolo that resulted in the cover of The Freewheelin’ Bob Dylan, serves as a key inspiration. The discussions about the Kodachrome look of the 1960s emphasize the nostalgic and authentic feel they’re aiming for in the film’s visuals.

Papamichael’s use of the Sony Venice 2 digital camera combines the best of past and present. His custom-made lenses, a hybrid of old B-series anamorphic lenses from the ’60s and ’70s, offer a unique texture reminiscent of films like The French Connection or The Last Detail. The anamorphic aspect ratio allows for intimate close-up shots while capturing the surrounding environment, enhancing the film’s immersive quality.

Mangold and Papamichael’s collaboration, stretching back to the 2003 thriller Identity, underscores their strong working relationship and mutual understanding of visual storytelling. This attention to detail and dedication to capturing the essence of the era promises a visually stunning and evocative portrayal of Dylan’s journey in A Complete Unknown.

James Mangold’s versatility as a filmmaker is truly remarkable. His body of work spans a wide range of genres, each characterized by its emotional depth and unique storytelling. Rather than being confined to a single genre or motif, Mangold’s films challenge us to feel and reflect deeply.

Starting from his early success with the Sundance Independent film Heavy, Mangold has transitioned seamlessly across genres:

  • From the intense cop noir of Cop Land,
  • To the mental institution drama of Girl Interrupted,
  • The romantic fantasy of Kate & Leopold,
  • The musical biopic Walk the Line,
  • The traditional western 3:10 to Yuma,
  • The gritty pulp horror Identity,
  • The beloved comic book hero tales in Logan,
  • And the period car racing film Ford v. Ferrari, which was nominated for Best Picture at the Academy Awards.

Mangold’s ability to navigate these diverse genres while maintaining a strong, emotionally resonant voice is a testament to his talent and vision. Each film offers a distinct experience, showcasing his mastery in crafting compelling narratives that connect deeply with audiences.

It’s clear that Mangold’s A Complete Unknown promises to be another standout addition to his impressive filmography, blending his expertise in music biopics with his knack for evoking powerful cultural moments.

James Mangold’s journey into filmmaking is as fascinating as his diverse filmography. The son of renowned painters Robert Mangold and Sylvia Plimack Mangold, he grew up in New York’s Hudson Valley. His artistic upbringing undoubtedly influenced his creative path.

Mangold graduated in film and acting from The California Institute of the Arts and broke into the film industry at the young age of 21 with a prestigious writer-director deal with Disney Studios. After spending a few years in Hollywood, he decided to further his education at Columbia University’s film school, where he studied under the guidance of Oscar-winning director Milos Forman.

It was during his time at Columbia that Mangold began writing Heavy (1995). The film went on to win the Director’s Prize at the 1995 Sundance Film Festival and was selected to represent the United States at Director’s Fortnight in Cannes. This early success marked the beginning of a prolific and varied career for Mangold.

From his independent film roots to his mainstream successes, Mangold’s career reflects his ability to navigate and excel in a wide range of genres. His background and experiences have clearly shaped his unique approach to filmmaking, allowing him to create powerful, emotionally resonant stories that connect with audiences.

Jay Cocks is a highly esteemed screenwriter with a remarkable career. He has received two Oscar nominations for his screenplays of The Age of Innocence and Gangs of New York, both directed by Martin Scorsese. In addition to these acclaimed works, Cocks has also contributed to Silence, another film directed by Scorsese, and Strange Days, directed by Kathryn Bigelow and based on an original script by James Cameron.

Before becoming a celebrated screenwriter, Cocks had an illustrious career as a film and music critic for Time magazine. His deep understanding of film and music has clearly informed his screenwriting, allowing him to create richly textured and compelling narratives.

Cocks’ collaboration on A Complete Unknown brings a wealth of experience and a unique perspective to the project, enhancing its potential to be a standout film.

© 2024 Searchlight Pictures All Rights Reserved.



“The main inspiration for making Society of the Snow is Pablo Vierci’s book because we knew the story, but the book revealed to us a world of many other little stories within the ‘official’ story,” says producer Belén Atienza. “Pablo decides to tell what happened on the mountain from 16 points of view, one for each of the survivors, and that gives it an exceptional human richness. It was while reading the book that we realised the deep complexity that this story has on many levels — psychological, emotional and anthropological. In fact, thirty years had to pass before its main characters could reflect on and tell it.”

“Such a powerful story in J’s hands made the project a very exciting journey. J is a filmmaker who masterfully handles all genres, and this story gave him the chance to work with almost all of them — drama, adventure, action and tragedy — as well as explore the most transcendent aspects of the experience those young Uruguayans went through in the mountains,” says Atienza.