The law of universal metamorphism rules in Animation films. Anything can become something else.
Animation is the process of making the illusion of motion and the illusion of change by means of the rapid succession of sequential images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon and beta movement, but the exact causes are still unclear. It can be recorded with either analogue media, a flip book, motion picture film, video tape, digital media, including formats with animated GIF, Flash animation, and digital video.
Animation methods include traditional animation, and methods that use stop motion animation of two and three-dimensional objects, paper cutouts, puppets, and clay figures. Images display in a rapid succession, usually 24, 25, 30, or 60 frames per second. Computer animation processes generating animated images with the general term computer-generated imagery (CGI). 3D animation uses computer graphics, while 2D animation is used for stylistic, low bandwidth and faster real-time renderings.
Early examples of attempts to capture the phenomenon of motion into a still drawing can be found in paleolithic cave paintings, where animals are often depicted with multiple legs in superimposed positions, clearly attempting to convey the perception of motion.
A 5,200-year old pottery bowl discovered in Shahr-e Sukhteh, Iran has five sequential images painted around it that seem to show phases of a Persian Desert Ibex leaping up to nip at a tree.
Anime is a form of animation originating from Japan. Anime gained popularity in East and Southeast Asia, before becoming popular throughout the world. This sub-genre can consist of both hand drawn or computer generated animation. These films are usually based on a successful television series or video games. Many fans consider Anime an art form, as it emphasizes stylized visual cues. The influence of Japanese painting and calligraphy can often be throughout these films. Examples: Ponyo, Spirited Away, Castle in the Sky.
Adult Animation is a sub-genre that uses animation to appeal to an older audience. The storyline of the film may be more sophisticated than a traditional animated film. It may be considered an Adult Animated film because of the portrayal of adult topics- such as drugs, sex, and violence. Adult Animation is usually considered cutting edge and risqué. Many of the more famous Adult Animated films are part animated and part live-action. Examples: Who Framed Roger Rabbit, The Nightmare Before Christmas, Aqua Teen Hunger Force Colon Movie Film for Theaters.
Animated films foe children caters to a young and specific age demographic. This sub-genre usually explores a fantastical world with vivid animation. The tone of these films is light and fun, and musical numbers are often incorporated into the plot. The story usually centers on a protagonist who must battle in a “good-over-evil” scenario. Examples: Aladdin, Fern Gully, Beauty and the Beast.
Animated Musical incorporates large musical numbers into the narrative. These films usually appeal to children and families. This sub-genre has been dominated by Disney productions, especially with the surge of Animated Disney Musicals in the 1950s and 1990s. Like children’s animation, these stories usually show the battle of good defeating evil with likable protagonists of moral fibre. Examples: Snow White, The Lion King, Beauty and the Beast.
The Animated Family sub-genre that has a large target audience. Many classic Animated Family films incorporate musical numbers to engage younger audiences, but more contemporary Animated Family films have developed a dual sided form of humor – appealing to children and adults. Examples: Toy Story, Despicable Me, Cars.
The Art Of Animated film
ABOMINABLE For writer/director Jill Culton, the road to DreamWorks Animation has been a long and winding one. In bringing Abominable to life, Culton would find kindred spirits in producer Suzanne Buirgy, DreamWorks Animation’s longtime champion of the production, and Peilin Chou, chief creative officer of Pearl Studio and our story’s Yi writ large. Making history as the first trio of female filmmakers to bring a big-studio animated feature to the big screen, the collaborators did and do not take that historic designation lightly.
THE ADDAMS FAMILY A hilarious and endearing tale of acceptance, The Addams Family brings Charles Addams’ New Yorker cartoons to life and will inspire people of all ages to embrace a new idea of what is normal.
ALVIN AND THE CHIPMUNKS: THE ROAD TRIP Becker credits producers Ross Bagdasarian and Janice Karman, who created the characters and are custodians of the Chipmunks legacy, with helping him and screenwriters Randi Mayem Singer and Adam Sztykiel find a new path for Alvin & Co. “Ross and Janice gave me a thorough history lesson and personality profiles on the Chipmunks,” the director recalls. “But they also encouraged me to take the characters in a slightly different space and give the film a different tone from the others.
ANOMALISA A beautifully tender and absurdly humorous dreamscape, from the brilliant minds of Charlie Kaufman (Synecdoche, New York) and Duke Johnson, a specialist in stop-motion animation (“Community” episode, Abed’s Uncontrollable Christmas),the stop-motion animation wonder Anomalisa is a darkly comedic and surreal stop-motion journey of a man’s long night of the soul.
CARS 3 Lightning McQueen raced into moviegoers’ hearts more than 10 years ago and remains an iconic character today in Cars 3 that pays homage to NASCAR with four characters based on real-life stock car racing legends. Directed by Fee (storyboard artist Cars, Cars 2), from a story by Fee, Ben Queen (TV’s Powerless), Eyal Podell (actor Code Black) & Jonathon E. Stewart (Doing Time short), the screenplay was penned by Kiel Murray (Cars), Bob Peterson (Up, Finding Nemo”) and Mike Rich (“Secretariat, The Rookie).
COCO Pixar Animation Studios’ 19th feature film Coco showcases the importance of family, honoring your ancestors and following your dreams. Directed by Lee Unkrich (Toy Story 3) and co-directed by Adrian Molina (story artist Monsters University) from a script by Molina and Matthew Aldrich (Spinning Man), Coco features an original score from Oscar-winning composer Michael Giacchino (Up, Rogue One), a song by Oscar winners Kristen Anderson-Lopez and Robert Lopez (Frozen), and additional songs co-written by Germaine Franco (Dope, Shovel Buddies) and Molina.
DESPICABLE ME 3 Founded with the mission to produce both original stories and adaptations of beloved classics, Illumination is known for developing dimensional and distinctive characters who embody both the sweet and the subversive. Their often mischievous antics are balanced by good intentions and innocence, making them lovable and relatable. As such, the Despicable Me franchise has become the defining DNA of the company. Daurio, alongside writing partner Paul, has collaborated with Meledandri since their days at 20th Century Fox on Dr. Seuss’ Horton Hears a Who!.
THE EMOJI MOVIE A journey into smartphones, where Emojis live and allow people to communicate with people who are separated from us by language, borders, oceans…Story by Tony Leondis & Eric Siegel. Screenplay by Tony Leondis & Eric Siegel and Mike White.
FERDINAND The tale of Ferdinand, a giant bull who prefers flowers to fighting, has captured the hearts of millions since it was first told in the 1936 book “The Story of Ferdinand” by author Munro Leaf and illustrator Robert Lawson. A warm and charming take on how appearances can be deceptive (or, why you should never judge a bull by its cover…) the book’s message of love and acceptance has resonated for decades. Now, a new generation of moviegoers can enjoy a delightful CG-animated family film inspired by the classic story with 20th Century Fox Animation and Blue Sky Studios’ Ferdinand.
FINDING DORY Director Andrew Stanton is always on the lookout for a new story. His imagination has taken him under the sea and beyond the stars, but this time, a character from his past unexpectedly swam straight into his subconscious. “The mystery of memory is so important to the story,” says screenwriter Victoria Strouse. “Memory is a huge part of family—all of those seemingly meaningless or mundane interactions we all experience as children stay with us and shape our personalities. Dory possesses those memories—on some deep level—and accessing them is part of her ultimate journey of realizing that she’s not broken after all.”
THE GOOD DINOSAUR Pixar Animation Studios takes you on an epic journey into the world of dinosaurs with The Good Dinosaur where an Apatosaurus named Arlo makes an unlikely human friend named Spot. The Good Dinosaur is executive produced by Lasseter, Lee Unkrich and Andrew Stanton. With original concept and development by Bob Peterson, the film features a story by Sohn, Erik Benson, Meg LeFauve, Kelsey Mann and Peterson, and a screenplay by LeFauve. Music is by Academy Award-winning film composer Mychael Danna (Life of Pi) and Emmy-nominated composer Jeff Danna (Tyrant).
ICE AGE: COLLISION COURSE Audiences everywhere love the Ice Age films, which is the second biggest animated motion picture franchise in the world. Each new story increases the stakes, scale, adventure, humor and heart—making Ice Age: Collision Course the biggest and most ambitious film of the series. It was directed by Mike Thurmeier and co-directed by Galen Tan Chu, and written by Michael Wilson, Michael Berg and Yoni Brenner.
INSIDE OUT Loaded with Pixar’s signature charm, “Inside Out” features a mind full of memorable characters, poignant moments and humor. “Our goal, right off the top, was to make it fun,” says producer Jonas Rivera. “My kids have seen it and all they talk about is Anger. They think he’s really funny. And the journey that Joy and Sadness take is one big, cool adventure. Director Pete Docter co-wrote the screenplay with Meg LeFauve and Josh Cooley from an original story by Docter and Ronnie Del Carmen.
KUBO AND THE TWO STRINGS From animation studio LAIKA, makers of the Academy Award-nominated Coraline, comes Kubo and the Two Strings, an epic original action-adventure and a cinematic experience that sweeps audiences into a world of wonders. Marc Haimes developed the story with Shannon Tindle, and then wrote the screenplay with Chris Butler, who previously wrote and directed ParaNorman for LAIKA.
THE LEGO BATMAN MOVIE The writers on “The LEGO Batman Movie” have roots in a range of comedic and/or animated projects. Seth Grahame-Smith’s novel Pride and Prejudice and Zombies was made into a successful feature; writing partners Chris McKenna and Erik Sommers have been recognized for their work on “Community” and “American Dad”; Jared Stern counts “Toy Story 3” and “Wreck-It Ralph” among his feature animation credits; and John Whittington is a staff writer on the upcoming series “Green Eggs and Ham,” based on the classic Dr. Seuss children’s book.
THE LITTLE PRINCE A beautifully crafted animated film The Little Prince, inspired by Antoine de Saint-Exupéry’s beloved 1942 masterpiece, the screenplay was written by Irena Brignull (The Boxtrolls) and Bob Persichetti based on a story conceived by Mark Osborne.
MOANA Moana, a sweeping, CG-animated feature ﬁlm about an adventurous teenager who sails out on a daring mission to save her people, was directed by the renowned filmmaking team of Ron Clements and John Musker (The Little Mermaid, Aladdin, The Princess & the Frog), from a screenplay by Jared Bush, who was responsible for helping to develop and shape character personalities and overall story for Moana.
THE PROPHET Kahlil Gibran’s The Prophet’s journey to the big screen began more than a decade ago when executive producer Steve Hanson embarked on an eight-year quest to license the rights to the Lebanese author’s timeless bestseller.The beloved book, which has been translated into 40 languages, has sold over 100 million copies and has never been out of print since it was first published in 1923.
THE SAUSAGE PARTY Seth Rogen and Evan Goldberg have been the masterminds behind some of the world’s most outrageous, inventive, and hilarious comedies – from Superbad to Pineapple Express to This Is the End to The Interview. Now, they go into the world of animation for Columbia Pictures and Annapurna Pictures’ Sausage Party, the world’s first R-rated CG animated comedy, about a group of supermarket products on a quest to discover the truth about their existence and what really happens when they become chosen to leave the grocery store.
THE SECRET LIFE OF PETS For their fifth fully animated feature-film collaboration, Illumination Entertainment and Universal Pictures present The Secret Life of Pets, a comedy about the lives our pets lead after we leave for work or school each day. Illumination Entertainment founder and Ceo Chris Meledandri and his longtime collaborator Janet Healy—who together have produced the beloved films of the Despicable Me franchise, as well as the blockbusters Minions and Dr. Seuss’ The Lorax—produce the comedy that is directed by Chris Renaud, co-directed by Yarrow Cheney and written by Cinco Paul & Ken Daurio and Brian Lynch.
SGT. STUBBY: AN UNLIKELY HERO Set against the backdrop of America’s entry into World War I and based on the incredible, true story of the unbreakable bond between a stray dog and a young Soldier, this animated film tells the real-life story of America’s most decorated dog, Sgt. Stubby, showing the world the true meaning of dedication, loyalty, bravery and heroism.Fun Academy Motion Pictures brings the early 20th century back to life for audiences of all ages to enjoy. But just as the real Stubby’s journey took him from homeless mutt to celebrated Soldier, his animated counterpart’s journey to the big screen has been quite the adventure … a story nearly a decade in the making.
SING Illumination has captivated audiences all over the world with the beloved hits Despicable Me, Dr. Seuss’ The Lorax, Despicable Me 2 and Minions, now the second-highest-grossing animated movie in history. Following the release of this summer’s comedy blockbuster The Secret Life of Pets, Illumination brings Sing to the big screen. With its highly relatable characters, heart and humor, the first collaboration between writer/director Garth Jennings (Son of Rambow, The Hitchhiker’s Guide to the Galaxy) and Illumination founder and Ceo Chris Meledandri marks the sixth fully animated feature from the studio.
THE SNOW QUEEN A fairy tale like “The Snow Queen” is a fictional story that may feature folkloric characters (such as fairies, goblins, elves, trolls, witches, giants, and talking animals) and enchantments, often involving a far-fetched sequence of events.“When I started writing the script for “The Snow Queen” I never imagined that I would direct the film,” says writer director Maxim Sveshnikov, who began his career in animation features as a writer on Alyosha Popovich & Tugarin Zmey (CTB Film Company, Melnitsa Animation Studio) and later he established himself as a successful filmmaker, writing numerous scripts for feature and animated films
THE STAR How do you tell one of the most famous stories ever recorded and bring it to the screen in a fresh, new way? This was the challenge facing the filmmakers behind The Star, Affirm Films and Sony Pictures Animation’s family film about the events leading up to the very first Christmas.“It’s the Nativity story from the point of view of the animals, and in this film, we follow Bo, who is the donkey that carries Mary and Joseph to Bethlehem,” explains director Timothy Reckart. The story is by Simon Moore and Carlos Kotkin; and the screenplay is by Carlos Kotkin
STORKS The action-packed, animated adventure takes audiences on a road trip like no other, as a super-focused stork with big ambitions, and a sunny 18-year-old orphaned girl with some wild ideas, rush to make one very special delivery.The film was directed by Stoller (Neighbors, Forgetting Sarah Marshall; writer on The Muppets) and Oscar nominee Doug Sweetland (the animated short Presto; supervising animator on Cars), from a screenplay written by Stoller.
TROLLS From the creators of Shrek comes DreamWorks Animation’s Trolls, a smart, funny and irreverent comedy about the search for happiness, and just how far some will go to get it. Happiness was foremost in the minds of Trolls director Mike Mitchell and co-director Walt Dohrn, even during the earliest stages of story discussions with screenwriters/co-producers Jonathan Aibel and Glenn Berger and producer Gina Shay. The two filmmakers had worked together on DreamWorks Animation’s blockbuster Shrek franchise, and their familiarity with the beloved ogres of that world led them to their distant cousins, the Trolls.
ZOOTROPOLIS In its 92-year history, Walt Disney Animation Studios has created a long and storied legacy of talking-animal films—from Mickey Mouse’s debut short Steamboat Willie to Bambi, Dumbo, The Jungle Book, Robin Hood and The Lion King, and returns to the wild with the feature film Zootropolis, which marks Disney Animation Studios’ 55th animated feature. Byron Howard (Director/Story by) directed Tangled. Rich Moore (Director/Story by) directed Wreck-It Ralph, numerous episodes of The Simpsons and was a sequence director on “The Simpsons Movie.Jared Bush (Co-Director/Story by/Screenplay by) is responsible for helping to develop and shape character personalities and overall story, as well as helping to define the world of “Zootropolis.” Phil Johnston (Story by/Screenplay by) is a feature film and television writer whose first Disney movie was Wreck-It Ralph and he also wrote Cedar Rapids and Grimsby